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Publication Date:
November 2006
ISSN:
1613-0642
DOI:
10.1515/ARCA.2006.004

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International Journal of Literary Culture Internationale Zeitschrift für literarische Kultur

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Napoleonisches Kaleidoskop - Interkulturalität, frührealistische Romantik-Kritik und Intermedialität in Wilhelm Hauffs Erzählung Das Bild des Kaisers (1827)

Barbara Besslich

Citation Information: Arcadia – International Journal for Literary Studies. Volume 41, Issue 1, Pages 29–49, ISSN (Online) 1613-0642, ISSN (Print) 0003-7982, DOI: 10.1515/ARCA.2006.004, November 2006

Publication History:
Published Online:
2006-11-07

Abstract

Hauff's last novella, Das Bild des Kaisers, combines a poetological critique of Romanticism with multiperspectival remembrances of Napoleon. Hauff's manner of writing can be categorized in the sense of Fülleborn and Stockinger as Early Realism (Frührealismus). Hauff's novelistic ekphrasis turns Jacques-Lous David's painting into a narrative ‘Bild des Kaisers’; his representation of post-1821 German attitudes towards Napoleon are indebted to his critical reading of French literature.

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