Jump to ContentJump to Main Navigation

Online

99,00 € / $149.00*

* Prices subject to change. Shipping costs will be added if applicable.
Publication Date:
August 2009
ISSN:
1613-3722
DOI:
10.1515/HUMR.2009.020

See all formats and pricing

Online
Individual Subscription Online only
Euro [D] 99.00
RRP for USA, Canada, Mexico
US$ 149.00 *
Print
Individual Subscription Online only
Euro [D] 280.00
RRP for USA, Canada, Mexico
US$ 418.00 *
Print + Online
Individual Subscription Online only
Euro [D] 336.00
RRP for USA, Canada, Mexico
US$ 502.00 *
*Prices subject to change. Shipping costs will be added if applicable.

HUMOR

International Journal of Humor Research

Editor-in-Chief: Kuipers, Giselinde

4 Issues per year

Increased IMPACT FACTOR 2011: 0.857
5-year IMPACT FACTOR: 1.033
ERIH category INT2

VolumeIssuePage

Issues

Fractured song lyrics

Stacey Harwood1

1Managing Editor, http://www.thebestamericanpoetry.com

Citation Information: Humor - International Journal of Humor Research. Volume 22, Issue 3, Pages 361–370, ISSN (Online) 1613-3722, ISSN (Print) 0933-1719, DOI: 10.1515/HUMR.2009.020, August 2009

Publication History:
Published Online:
2009-08-31

Abstract

Why are new lyrics to old songs so often a source of inspiration and fun? This article explores how poems that rewrite popular song lyrics belong on the continuum between parody and burlesque. The parodist pays homage to the author of the source, but at the same time skewers the author by appropriating his distinctive style and using it to poke fun at him. The burlesque writer trades on the familiarity of the source material and uses it for commentary. New words for old songs give pleasure because they engage more of the senses than simply reading them. The reader “hears” the poem while reading it. The humor in the poem is enhanced for those who know the original melodies, keeping the song alive through the humor the parodist evokes.

Keywords:: Humor; lyrics, parody; poetry; song

Comments (0)

Please log in or register to comment.