Abstract
This article situates the semantics of fictional characters within a broader framework of authorial communication. It argues that theories of character in the novel will be deficient to the extent that characters are not conceptualised as motivated creations of an author. The influential approach of Georg Lukács effectively excluded the point of view of the author in favour of a direct relationship between the fictional work and processes of history, as an instance of the particular related to the universal. But here it is argued that the notion of the typical should rather be seen as a relation between the social milieu of the authorial experience on the one hand and the figure-ground construction of character on the other. This constitutes part of a project to examine the question of realism on a renewed basis, particularly in terms of the authorial presence within the fictional world, and the case is argued with specific reference to a novel by John Fowles.
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