Modern film writers feature a variety of recording techniques, some based on traditional technology like CRT and Laser based Computer Output Microfilm (COM) and some with newer Light Emitting Diode (LED) technology. There are three key questions that seem to come up frequently from the user community. These can be summarized as follows:
Microform & Digitization Review
Preservation and Access Issues for Cultural Heritage Institutions
Editor-in-Chief: Middleton, Ken
4 Issues per year
Issues
Volume 41 (2012)
Volume 40 (2011)
Volume 39 (2010)
Volume 38 (2009)
Volume 37 (2008)
Volume 36 (2007)
Volume 35 (2006)
Volume 34 (2005)
Volume 33 (2004)
Volume 32 (2003)
Volume 31 (2002)
Volume 30 (2001)
Volume 29 (2000)
Volume 28 (1999)
Volume 27 (1998)
Volume 26 (1997)
Volume 25 (1996)
Volume 24 (1995)
Volume 23 (1994)
Volume 22 (1993)
Volume 21 (1992)
Volume 20 (1991)
Volume 19 (1990)
Volume 18 (1989)
Volume 17 (1988)
Volume 16 (1987)
Volume 15 (1986)
Volume 14 (1985)
Volume 13 (1984)
Volume 12 (1983)
Volume 11 (1982)
Volume 10 (1981)
Volume 9 (1980)
Volume 8 (1979)
Volume 7 (1978)
Volume 6 (1977)
Volume 5 (1976)
Volume 4 (1975)
Volume 3 (1974)
Volume 2 (1973)
Most Downloaded Articles
- Microforms and AACR2, Chapter 11: Is the Cardinal Principle a Peter Principle? by Willard, Louis Charles
- Webarchiving: Legal Deposit of Internet in Denmark. A Curatorial Perspective by Schostag, Sabine and Fønss-Jørgensen, Eva
- The Role of Microfilm in Digital Preservation by Brown, Heather/ Baker, John/ Cybulski, Walter/ Fenton, Andy/ Glover, John/ Negus, Paul and Palm, Jonas
- Preservation Metadata: Challenge, Collaboration, and Consensus by Lavoie, Brian F.
- Masthead by null
Standards for Preservation via Digital Recording to Microforms
Robert Breslawski
Citation Information: Microform & Imaging Review. Volume 36, Issue 3, Pages 102–104, ISSN (Print) 0949-5770, DOI: 10.1515/MFIR.2007.102, May 2008
Publication History:
- Published Online:
- 2008-05-28
Comments (0)