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Publication Date:
17 03 2011
ISSN:
1613-3692
DOI:
10.1515/semi.2011.013

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Semiotica

Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique

Editor-in-Chief: Danesi, Marcel

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Return of the referent: Italian cinema for the new millennium

1

1Professor at Yale University.

Citation Information: Semiotica. Volume 2011, Issue 183, Pages 273–282, ISSN (Online) 1613-3692, ISSN (Print) 0037-1998, DOI: 10.1515/semi.2011.013, March 2011

Publication History: Published Online: 01/03/2012

Abstract

Focusing with special intensity on scenes that feature still photographs in the Italian films Blow-Up, Three Brothers, and The One Hundred Steps, this paper traces a progressive return to the neorealist call for a cinema of truth-telling on the threshold on the new millennium.

Keywords:: Neorealism ; historicity referentiality ; Metz montage ; Italian cinema

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