Jump to ContentJump to Main Navigation

Online

49,00 € / $74.00*

* Prices subject to change. Shipping costs will be added if applicable.
Publication Date:
March 2007
ISSN:
1612-961X
DOI:
10.1515/ZAC.2006.025

See all formats and pricing

Online
Individual Subscription Online only
Euro [D] 49.00
RRP for USA, Canada, Mexico
US$ 74.00 *
Print
Individual Subscription Online only
Euro [D] 202.00
RRP for USA, Canada, Mexico
US$ 303.00 *
Print + Online
Individual Subscription Online only
Euro [D] 243.00
RRP for USA, Canada, Mexico
US$ 364.00 *
*Prices subject to change. Shipping costs will be added if applicable.

European Science Foundation ranking A

Ed. by Brennecke, Hanns Christof / Drecoll, Volker Henning / Markschies, Christoph

Together with Elm, Susanna / Meier, Mischa / Perrone, Lorenzo / Pollmann, Karla / Riedweg, Christoph / Schöllgen, Georg / / Wischmeyer, Wolfgang

In cooperation with Gemeinhardt, Peter

3 Issues per year

VolumeIssuePage

Issues

Der ‚Cherubische Einzug‘ im ‚Tempel des Lichts‘. Die Inszenierung der geistlichen Identität des christlichen Kaisers in der Spätantike

Wolfgang Christian Schneider1

1

Citation Information: Zeitschrift für Antikes Christentum. Volume 10, Issue 2, Pages 336–357, ISSN (Online) 1612-961X, ISSN (Print) 0949-9571, DOI: 10.1515/ZAC.2006.025, March 2007

Publication History:
Published Online:
2007-03-19

Abstract

The article elucidates the liturgical context of the Cherubic hymn, officially installed in the liturgy of the Hagia Sophia in 573/574. The detailed analysis of the hymn and its biblical background leads to the suggestion that the Emperor Justin II. wanted a theological interpretation of his reign being expressed. Taking into account especially the role of the Emperor in the procession this seems very probable. So even the criticizing of the official installation of the hymn appears to be an important political struggle about the relation between Emperor and church: Justin II. wanted to make permanent the special role of the Emperor during the inauguration of the Hagia Sophia.

Comments (0)

Please log in or register to comment.