Hirt, Katherine
When Machines Play Chopin
Musical Spirit and Automation in Nineteenth-Century German Literature
Series:Interdisciplinary German Cultural Studies 8
Table of Contents
- Frontmatter
- Table of Contents
- Chapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century
- Chapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews
- Chapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art
- Chapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights”
- Chapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound
- Backmatter
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