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Open Access
Published by
transcript Verlag
Volume 10 Issue 19-2
Issue of
ZfM - Zeitschrift für Medienwissenschaft
Contents
Journal Overview
Contents
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September 28, 2018
Titelei
Page range: 1-3
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September 28, 2018
IMPRESSUM
Page range: 4-4
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September 28, 2018
BILDNACHWEISE
Page range: 5-6
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September 28, 2018
INHALT
Page range: 7-7
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FAKTIZITÄTEN
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September 28, 2018
Einleitung in den Schwerpunkt
Eva Schauerte, Sebastian Vehlken
Page range: 10-20
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September 28, 2018
VORSICHT VOR DER THEORIE DER VERSCHWÖRUNGSTHEORIE!
Benjamin Peters
Page range: 21-28
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September 28, 2018
DIE WAHRHEIT DES RELATIVEN IN DER KRISE DER FAKE NEWS
Denken mit Alexandra Juhasz’ «#100hardtruths #fakenews: A primer on digital media literacy»
Astrid Deuber-Mankowsky
Page range: 29-41
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September 28, 2018
FAKE-DOKUS UND IHR BEITRAG ZUR KRISE DER REPRÄSENTATIONSKRITIK
Andreas Sudmann
Page range: 42-53
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September 28, 2018
WERKZEUG WINDKANAL
Simulationen in der Stadtklimaforschung
Hannah Zindel
Page range: 54-68
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September 28, 2018
DIE NEUEN W AHRHEITSKRIEGE
Bernhard Pörksen
Page range: 69-76
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September 28, 2018
MEDIEN, UNIVERSITÄTEN, LÜGEN Ein Kommentar zum Beitrag von Bernhard Pörksen
Claus Pias
Page range: 77-83
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EXTRA
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September 28, 2018
INFORMATIONEN, DIE BILDER HABEN
Zur Moderierbarkeit von visuellem Content
Simon Rothöhler
Page range: 85-94
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September 28, 2018
ELEMENTE EINER PRAXISTHEORIE DER MEDIEN
Sebastian Giessmann
Page range: 95-109
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September 28, 2018
AUTOR_INNEN
Page range: 110-111
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BILDSTRECKE
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September 28, 2018
FEMINISTISCHE GESUNDHEITSRECHERCHEGRUPPE
Praktiken radikaler Gesundheitsfürsorge
Michaela Richter
Page range: i-xvi
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September 28, 2018
Zfm-Klasse
Page range: 1-3
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September 28, 2018
BILDNACHWEISE
Page range: 4-4
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September 28, 2018
EDITORIAL
Page range: 5-6
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September 28, 2018
INHALT
Page range: 7-7
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KLASSE
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September 28, 2018
Einleitung in den Schwerpunkt
Ulrike Bergermann, Andrea Seier
Page range: 9-21
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September 28, 2018
BEGEHREN DES MARKTES «Naked Attraction» und Phantasmen der Klassenlosigkeit
Thomas Waitz
Page range: 22-35
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September 28, 2018
RANKING, SORTING, CLASSING
Klassifikation und Klassenkampf um 1700
Stephan Gregory
Page range: 36-47
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September 28, 2018
ANDERS ZUHÖREN
Tribe 8s ästhetische Praktiken: «Disidentification» und queere Klassenpolitiken
Atlanta Ina Beyer
Page range: 48-61
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September 28, 2018
VON «IDIOTENLATERNEN» UND «KULTURMASCHINEN»
Klassenspezifische Vermöbelung von Fernsehapparaten in den 1950er / 60er Jahren im interkulturellen Vergleich
Monique Miggelbrink
Page range: 62-71
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September 28, 2018
AUGENBLICKE. GESICHTER EINER REISE
von JR und Agnès Varda als Repräsentation der «Klasse ohne Privilegien»
Doro Wiese
Page range: 72-81
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September 28, 2018
VON DER ARBEIT AM FILM
Die österreichische Amateurfilmkultur der Zwischenkriegszeit
Sandra Ladwig
Page range: 82-92
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September 28, 2018
DOING CLASS
Hochschulzugang, Kunst und das Gewürz -Andere
Ruth Sonderegger
Page range: 93-100
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September 28, 2018
KLASSENSPRACHEN. PUNKT.
Marlene Streeruwitz, Astrid Deuber-Mankowsky
Page range: 101-111
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EXTRA
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September 28, 2018
ALT-RIGHT-AFFEKTE
Provokationen und Online-Taktiken
Simon Strick
Page range: 113-125
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September 28, 2018
AUTOR_INNEN
Page range: 126-127
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Journal Overview
About this journal
Medienwissenschaft zu betreiben bedeutet, sich immer wieder zu fragen, was die Voraussetzungen und Bedingungen der eigenen Forschung sind. Die Medialität von Dingen und Ereignissen wird häufig erst in der Beschäftigung mit ihrer Theorie und Geschichte, ihrer Technik und Ästhetik freigelegt. In diesem Sinne betreibt die ZfM eine kulturwissenschaftlich orientierte Medienwissenschaft, die Untersuchungen zu Einzelmedien aufgreift und durchquert, um nach politischen Kräften und epistemischen Konstellationen zu fragen.
Unter dieser Prämisse sind Verbindungen zu internationaler Forschung ebenso wichtig wie die Präsenz von WissenschaftlerInnen verschiedener disziplinärer Herkunft. Die ZfM bringt zudem verschiedene Schreibweisen und Textformate, Bilder und Gespräche zusammen, um der Vielfalt, mit der geschrieben, nachgedacht und experimentiert werden kann, Raum zu geben.
Jedes Heft eröffnet mit einem Schwerpunktthema, das von einer Gastredaktion konzipiert wird. Unter Extra erscheinen aktuelle Aufsätze, die nicht auf das Schwerpunktthema bezogen sind. Debatte bietet Platz für theoretische und/oder (wissenschafts-)politische Stellungnahmen. Die Kolumne Werkzeuge reflektiert die Soft- und Hardware, die Tools und Apps, die an unserem Forschen und Lehren mitarbeiten. In den Besprechungen werden aktuelle Veröffentlichungen thematisch in Sammelrezensionen diskutiert. Die Laborgespräche setzen sich mit wissenschaftlichen oder künstlerischen Forschungslaboratorien und Praxisfeldern auseinander. Von Gebrauch, Ort und Struktur visueller Archive handelt die Bildstrecke. Aus gegebenen Anlässen konzipiert die Redaktion ein Insert.
Getragen wird die ZfM von den Mitgliedern der Gesellschaft für Medienwissenschaft (GfM)
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