Architecture and Design
Arts
Asian and Pacific Studies
Business and Economics
Chemistry
Classical and Ancient Near Eastern Studies
Computer Sciences
Cultural Studies
Engineering
General Interest
Geosciences
History
Industrial Chemistry
Islamic and Middle Eastern Studies
Jewish Studies
Law
Library and Information Science, Book Studies
Life Sciences
Linguistics and Semiotics
Literary Studies
Materials Sciences
Mathematics
Medicine
Music
Pharmacy
Philosophy
Physics
Social Sciences
Sports and Recreation
Theology and Religion
Subject Areas
Architecture and Design
Arts
Asian and Pacific Studies
Business and Economics
Chemistry
Classical and Ancient Near Eastern Studies
Computer Sciences
Cultural Studies
Engineering
General Interest
Geosciences
History
Industrial Chemistry
Islamic and Middle Eastern Studies
Jewish Studies
Law
Library and Information Science, Book Studies
Life Sciences
Linguistics and Semiotics
Literary Studies
Materials Sciences
Mathematics
Medicine
Music
Pharmacy
Philosophy
Physics
Social Sciences
Sports and Recreation
Theology and Religion
Neue Religion in Friedrich Hölderlins später Lyrik
“Neue Religion” in the Late Poems of Friedrich Hölderlin
“Neue Religion” in the Late Poems of Friedrich Hölderlin
The poems that Hölderlin wrote between 1800 and 1806 draw on traditions and discourses in religion, the arts, and natural science in order to develop a Neue Religion (“New Religion”). Five poems are taken as examples in order to investigate the syncretistic combining of coherent bodies of knowledge and the ambiguity of the religious concepts employed. The various connotations upon which the New Religion is based are thus brought to light.
Moritz Strohschneider, Ludwig-Maximilians-Univ. Munich, Germany.
Audience:
Literaturwissenschaftler, Theologen, Philosophen
Search
Search
