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Film als Wissensform
Cinema as a Form of Knowledge: A Philosophical Investigation of the Perception of Cinematic Motion Pictures

Eine philosophische Untersuchung der Wahrnehmung filmischer Bewegungsbilder

Cognitive processes play a central part in our cinematic experience. Films do not simply impart factual knowledge documentable by observation. Peter Remmers combines ideas from film theory, phenomenological image theory, and epistemology to develop a systematic definition of cinema’s epistemic object. In this way, the study lays the foundations for a philosophical conception of film.
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Audience: Wissenschaftler/innen, Institute, Bibliotheken