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hijackers had actu- ally been on the planes. And, fi nally, there was $167,000,000,000 in gold in vaults below the World Trade Center, only a fraction of which had been recovered—presumably offering a motive.11 Two years after the fi rst version, when Loose Change Final Cut appeared, there were signifi cant additions to the credits. Alex Jones, perhaps the country’s premier purveyor of conspiracy theories, was now listed as executive producer, and David Ray Griffi n as script con- sultant. Motifs of government cover-up and the implication that the government was