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231 The point of a proper and eff ective intersection of the labels, publishers and advertisers is on the not too distant horizon. Hopefully, the actual music, as opposed to the commodity of the music, will be king again. —Josh Rabinowitz, senior vice president / director for music at Grey Worldwide (advertising agency), 2007 If you don’t have originality, you’re not in the advertising business. —Steve Karmen, interview by author, 2009 9 New Capitalism, Creativity, and the New Petite Bourgeoisie In this fi nal chapter, I analyze the world of the production

versions and forms of religion. I propose here that Islamism is closely related to the colonial secularism that helped defi ne its limits, its contentions, and its focus; the relationship between Islamism and secularism is not one of straightforward antagonism, but is rather much more interactive and creative. Critically, I propose that the type of secular- Colonial Secularism and Islamism in North India a relationship of creativity? chapter one colonial secul arism and isl amism in nor th india | 39 ism that the British sought to impose in colonial India created

10 Frederick Douglass and Constitutional Emergency: An Homage to the Political Creativity of Abolitionist Activism Mariah Zeisberg What possibilities does the idea or experience of an emer- gency create politically? What identities, strategies, and resources do emergencies foster or suppress on the part of the state? And how do actors use the concept or event of emergency in service of their political goals? I am es- pecially interested in these questions in the context of the antebellum struggle to transform the Constitution in the face of slavery. For

Temporalities in Conflict and the Making of History
Jewish Exiles in Wartime China
The Federal Writers’ Project and the Casting of American Culture
Patriotism and Protest in Union Square
Neurology, Psychology, and Selfhood in Modern France