Thinking Through Digital Technology in the Humanities and the Arts
Edited by:Thomas Bartscherer and Roderick Coover
University of Chicago Press
Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion.
Responding to this challenge, Switching Codesbrings together leading American and European scholars, scientists, and artists—including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers—to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. Switching Codeswill be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists, alike.
Thomas Bartschereris assistant professor of humanities and director of the Language and Thinking Program at Bard College. He is coeditor of Erotikon:Essays on Eros Ancient and Modern, also published by the University of Chicago Press.Roderick Cooveris associate professor in the Department of Film and Media Arts at Temple University.Heis the author of the digital publicationsCultures In Webs: Working in Hypermedia with the Documentary ImageandVéritéto Virtual: Conversations on the Frontier of Film and Anthropology.
“Switching Codesis a highly interesting and important collection of essays that addresses a current, burgeoningconcern with the present condition and future of what we now call Digital Humanities. Most remarkably,this bookmakes a conscious effort to open questions about the future of scholarship in digitally mediated cultureto art that is born digital. This is a book I will refer to frequently.”
— John Cayley, Brown University
“[This book] covers enough ground via specific examples to demonstrate the complex challenges and changes that the digital humanities currently offers to traditional ways of perceiving, thinking, and doing.”
“At a moment when culture's digital makeover seems to have induced epistemological vertigo in many, Switching Codes offers a timely and well-targeted intervention. This book practices what it preaches, provoking cross-disciplinary dialogue and challenging the staid form of the usual essay collection, offering insteadan engaging set of critical texts, poetry, fiction, games, and responses. Bartscherer, Coover, and their authorstake up the challenges posed by the digital arts and humanities, mapping their new contexts, defining their analytic repertoire, and compelling a fresh set of insights.More than a portrait of our times,Switching Codesexemplifies the very logics that it explicates.”
— William Uricchio, Massachusetts Institute of Technology
“What happens when academics invite artists, scholars and technology specialists to discuss the potential and limitations of digital technologies for research and practice in the humanities and the arts? This is the question addressed by Thomas Bartscherer and Roderick Coover’s
Switching Codes. . . . What is original in
Switching Codesis the
performanceof this dialogue, which blends essays, interviews, fictional pieces and a game. The result is a multimodal discourse that evokes the experience of navigating online data.”
— Visual Studies
Switching Codes . . . offers curious minds an intriguing set of entry points into probing the sensibilities behind this shift, permitting outsiders and insiders alike to assess what happens when knowledge creation occurs through interdisciplinary encounters among artists, humanists, and IT specialists. . . . The project essays and the critiques are each carefully wrought and thoughtfully considered, and they provide ample material for theoretical and methodological reflection, repaying close analysis and re-reading. . . . Each of these interleavings is worth opening up the book—perhaps indicating the benefits of experimenting even further with tried-and-true academic genres in an age of information innovation.”
— Technology and Culture
“Unique and valuable. . . . The editors of
Switching Codes illustrate through dialogues that perpetuating a dichotomy between science and the arts is not just false but reductive and beside the point.”