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Licensed Unlicensed Requires Authentication Published by Yale University Press 2012

Kazimir Malevich and Nikolai Roslavets

From the book Black Square

  • Aleksandra Shatskikh
https://doi.org/10.12987/9780300162295-017
© Yale University Press, New Haven
From the book
Black Square
Black Square

Chapters in this book (28)

Frontmatter
Contents
Prologue
From the Author
List of Abbreviations
1. The Birth of Black Square
Fevralism, Forerunner of Suprematism
The Rise of Suprematism
2. On the Threshold of “0.10”, 54
Suprematism in Fall 1915
N. M. Davydova and Suprematism’s Public Affirmation
Russian and English Geo Metric Nonobjectivity
The First Verbovka Exhibition
The “Amazons” and Suprematism
3. From “0.10” to “Store”
“0.10”: The Last Futurist Exhibition
Vladimir Tatlin’s “Store” Exhibition
“I The Apostle of New Concepts in Art . . . ,”
4. The Supremus Society
1916: Under the Sign of Supremus
The Supremus Society in the First Half of 1917
Supremus
Kazimir Malevich and Nikolai Roslavets
Aleksei Kruchenykh in Supremus
“Azef-Judas-Khlebnikov”
The Supremus Society’s Finale
5. The End of Painting
Malevich’s Color-Painting in Late 1917 and the First Half of 1918
“There Can be No Question of Painting in Suprematism,”
Epilogue
Notes
Select Bibliography
Index
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