Zimmermann, Tanja. "Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue".
»Global Art History«, edited by Julia Allerstorfer and Monika Leisch-Kiesl, Bielefeld: transcript-Verlag, 2018, pp. 271-298.
https://doi.org/10.14361/9783839440612-016
Zimmermann, T. (2018). Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue. In J. Allerstorfer & M. Leisch-Kiesl (Ed.),
»Global Art History« (pp. 271-298). Bielefeld: transcript-Verlag.
https://doi.org/10.14361/9783839440612-016
Zimmermann, T. 2018. Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue. In: Allerstorfer, J. and Leisch-Kiesl, M. ed.
»Global Art History«. Bielefeld: transcript-Verlag, pp. 271-298.
https://doi.org/10.14361/9783839440612-016
Zimmermann, Tanja. "Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue" In
»Global Art History« edited by Julia Allerstorfer and Monika Leisch-Kiesl, 271-298. Bielefeld: transcript-Verlag, 2018.
https://doi.org/10.14361/9783839440612-016
Zimmermann T. Disparaging Images Turned into Pride. Artistic Strategies of Reversal and Over-Identification in Eastern Europe and the Balkans in a Global Dialogue. In: Allerstorfer J, Leisch-Kiesl M (ed.)
»Global Art History«. Bielefeld: transcript-Verlag; 2018. p.271-298.
https://doi.org/10.14361/9783839440612-016