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Who Can Speak and Who Is Heard/Hurt?

Contributors

transcript-Verlag | 2019
DOI: https://doi.org/10.14361/9783839441039-018
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Chapter Who Can Speak and Who Is Heard/Hurt?
Contributors

Mahmoud Arghavan, Nicole Hirschfelder, Luvena Kopp, Katharina Motyl 2019
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[Anon.]. "Contributors". Who Can Speak and Who Is Heard/Hurt?, edited by Mahmoud Arghavan, Nicole Hirschfelder, Luvena Kopp and Katharina Motyl, Bielefeld: transcript-Verlag, 2019, pp. 343-352. https://doi.org/10.14361/9783839441039-018
[Anon.] (2019). Contributors. In M. Arghavan, N. Hirschfelder, L. Kopp & K. Motyl (Ed.), Who Can Speak and Who Is Heard/Hurt? (pp. 343-352). Bielefeld: transcript-Verlag. https://doi.org/10.14361/9783839441039-018
[Anon.] 2019. Contributors. In: Arghavan, M., Hirschfelder, N., Kopp, L. and Motyl, K. ed. Who Can Speak and Who Is Heard/Hurt?. Bielefeld: transcript-Verlag, pp. 343-352. https://doi.org/10.14361/9783839441039-018
[Anon.]. "Contributors" In Who Can Speak and Who Is Heard/Hurt? edited by Mahmoud Arghavan, Nicole Hirschfelder, Luvena Kopp and Katharina Motyl, 343-352. Bielefeld: transcript-Verlag, 2019. https://doi.org/10.14361/9783839441039-018
[Anon.]. Contributors. In: Arghavan M, Hirschfelder N, Kopp L, Motyl K (ed.) Who Can Speak and Who Is Heard/Hurt?. Bielefeld: transcript-Verlag; 2019. p.343-352. https://doi.org/10.14361/9783839441039-018
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Ethnic diversity, 'race', and racism have been subject to discussion in American studies departments at German universities for many years. It appears that especially in the past few decades, ethnic minorities and 'new immigrants' have increasingly become objects of scholarly inquiry. Such research questions focus on the U.S. and other traditionally multicultural societies that have emerged out of historical situations shaped by (settler) colonialism, slavery and/or large-scale immigration. Paradoxically, these studies have overwhelmingly been conducted by white scholars born in Germany and holding German citizenship. Scholars with actual experience of racial discrimination have remained largely unheard.
Departing from a critique of practices employed by the German branch of the American studies, the volume offers (self-)reflective approaches by scholars from different fields in the German humanities. It thereby seeks to provide a solid basis for thorough and candid discussions of the mechanisms behind and the implications of racialized power relations in the German humanities and German society at large.

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Who Can Speak and Who Is Heard/Hurt?
Who Can Speak and Who Is Heard/Hurt?

Chapters in this book (20)

Frontmatter
Table of Contents
Acknowledgments
Who Can Speak and Who Is Heard/Hurt? Facing Problems of Race, Racism, and Ethnic Diversity in the Humanities in Germany: A Survey of the Issues at Stake
‘Ausländer’ – A Racialized Concept? ‘Race’ as an Analytical Concept in Contemporary German Immigration History
Perspective Matters: Racism and Resistance in the Everyday Lives of Youths of Color in Germany
Beyond a Trifling Presence: Afro-Germans and Identity Boundaries in Germany
Race and Racism in Translation: “Who Can Speak?” in German Renderings of Literary African American English
Post-Racism, Colorblind Individualism & Political Correctness: Contemporary Modes of Materialization in American Studies and German Academia
Kanak Academic: Teaching in Enemy Territory
The Migrant Scholar of Color as Refugee in the Western Academy
Keeping Academia White: A Case Study
On Racism without Race: The Need to Diversify Germanistik and the German Academy
“So You Want to Write about American Indians?” Ethical Reflections on Euro-Academia’s Research on Indigenous Cultural Narratives
“The Danger of a Single Story”: Addressing Contemporary Public Discourse and Protest Movements in American Studies Classrooms in Germany
Goethe Meets Baldwin: Notes towards a Comparative Perspective beyond Misappropri
Notes from the Margin: Academic White Spaces and the Silencing of Scholars of Color
Transatlantic Postcolonial (T)Races in the Classroom: From Defoe’s Desert Island to Larsen’s Quicksand and Black-ish Suburbia
Passing Tone/Note
Contributors
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