[Anon.]. "About the authors". Music Practices Across Borders, edited by Glaucia Peres da Silva and Konstantin Hondros, Bielefeld: transcript-Verlag, 2019, pp. 211-214. https://doi.org/10.14361/9783839446676-010
[Anon.] (2019). About the authors. In G. Peres da Silva & K. Hondros (Ed.), Music Practices Across Borders (pp. 211-214). Bielefeld: transcript-Verlag. https://doi.org/10.14361/9783839446676-010
[Anon.] 2019. About the authors. In: Peres da Silva, G. and Hondros, K. ed. Music Practices Across Borders. Bielefeld: transcript-Verlag, pp. 211-214. https://doi.org/10.14361/9783839446676-010
[Anon.]. "About the authors" In Music Practices Across Borders edited by Glaucia Peres da Silva and Konstantin Hondros, 211-214. Bielefeld: transcript-Verlag, 2019. https://doi.org/10.14361/9783839446676-010
[Anon.]. About the authors. In: Peres da Silva G, Hondros K (ed.) Music Practices Across Borders. Bielefeld: transcript-Verlag; 2019. p.211-214. https://doi.org/10.14361/9783839446676-010
Reconnecting migration studies and the theory of valuation, this collection offers an interdisciplinary approach to the study of transnational music practices. Music is here approached as a practice not confined by audibility - rather, it is "seen" when the YouTube video is clicked, "felt" when the subwoofer vibrates, and "smelled" when the festival crowd dances: practices make music emerge in concrete situations constituted by people, objects, techniques, meanings, and emotions. Through these practices, values are created and shared which connect a way of music-making with objects and places of experiencing music unconfined by borders of any kind.