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Music - Media - History

Contents

transcript-Verlag | 2021

DOI: https://doi.org/10.14361/9783839451458-toc

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Chapter Music - Media - History
Contents

Matej Santi, Elias Berner 2021

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[Anon.]. "Contents". Music - Media - History, edited by Matej Santi and Elias Berner, Bielefeld: transcript-Verlag, 2021, pp. 5-6. https://doi.org/10.14361/9783839451458-toc

[Anon.] (2021). Contents. In M. Santi & E. Berner (Ed.), Music - Media - History (pp. 5-6). Bielefeld: transcript-Verlag. https://doi.org/10.14361/9783839451458-toc

[Anon.] 2021. Contents. In: Santi, M. and Berner, E. ed. Music - Media - History. Bielefeld: transcript-Verlag, pp. 5-6. https://doi.org/10.14361/9783839451458-toc

[Anon.]. "Contents" In Music - Media - History edited by Matej Santi and Elias Berner, 5-6. Bielefeld: transcript-Verlag, 2021. https://doi.org/10.14361/9783839451458-toc

[Anon.]. Contents. In: Santi M, Berner E (ed.) Music - Media - History. Bielefeld: transcript-Verlag; 2021. p.5-6. https://doi.org/10.14361/9783839451458-toc

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Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).

Open Access

Music - Media - History

Music - Media - History

Chapters in this book (20)

Frontmatter

Contents

Editor’s Note

An Introduction

“Living in a Material World,” Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or Not

The (Re)Construction of Communicative Pasts in the Digital Age

The Narratological Architecture of Musical lieux de mémoire

Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the Audiovisual

Women’s Voices in Radio

‘Real Sound,’ Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of Reality

Sonic Icons in A Song Is Born (1948): A Model for an Audio History of Film

The Production, Reception and Cultural Transfer of Operetta on Early Sound Film

The Address of the Ear: Music and History in Waltz with Bashir

“I’ve never understood the passion for Schubert’s sentimental Viennese shit”—Using Metadata to Capture the Contexts of Film Music

Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge’s Televisual Corpus

Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge Representation

Playing with a Web of Music: Connecting and Enriching Online Music Repositories

A Few Notes on the Auditive Layer of the Film

Afterword

List of Contributors

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