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Emerging Bodies

Backmatter

transcript-Verlag | 2011
DOI: https://doi.org/10.14361/transcript.9783839415962.bm
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Chapter Emerging Bodies
Backmatter

Gabriele Klein, Sandra Noeth 2014
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[Anon.]. "Backmatter". Emerging Bodies, edited by Gabriele Klein and Sandra Noeth, Bielefeld: transcript-Verlag, 2014, pp. 264-264. https://doi.org/10.14361/transcript.9783839415962.bm
[Anon.] (2014). Backmatter. In G. Klein & S. Noeth (Ed.), Emerging Bodies (pp. 264-264). Bielefeld: transcript-Verlag. https://doi.org/10.14361/transcript.9783839415962.bm
[Anon.] 2014. Backmatter. In: Klein, G. and Noeth, S. ed. Emerging Bodies. Bielefeld: transcript-Verlag, pp. 264-264. https://doi.org/10.14361/transcript.9783839415962.bm
[Anon.]. "Backmatter" In Emerging Bodies edited by Gabriele Klein and Sandra Noeth, 264-264. Bielefeld: transcript-Verlag, 2014. https://doi.org/10.14361/transcript.9783839415962.bm
[Anon.]. Backmatter. In: Klein G, Noeth S (ed.) Emerging Bodies. Bielefeld: transcript-Verlag; 2014. p.264-264. https://doi.org/10.14361/transcript.9783839415962.bm
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The concept of »worldmaking« is based on the idea that 'the world' is not given, but rather produced through language, actions, ideas and perception. This collection of essays takes a closer look at various hybrid and disparate worlds related to dance and choreography. Coming from a broad range of different backgrounds and disciplines, the authors inquire into the ways of producing 'dance worlds': through artistic practice, discourse and media, choreographic form and dance material.
The essays in this volume critically reflect the predominant topos of dance as something fleeting and ephemeral - an embodiment of the Other in modernity. Moreover, they demonstrate that there is more than just one universal »world of dance«, but rather a multitude of interrelated dance worlds with more emerging every day.

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Emerging Bodies
Emerging Bodies
Chapters in this book (23)
Frontmatter
Contents
Introduction
Dancing Politics: Worldmaking in Dance and Choreography
Between Intervention and Utopia: Dance Politics
Dance and Work: The Aesthetic and Political Potential of Dance
The Collective That Isn’t One
Jérôme Bel and Myself: Gender and Intercultural Collaboration
Transnationalism and Contemporary African Dance: Faustin Linyekula
Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums
The Bluff of Contemporary Dance
Transcription – Materiality – Signature. Dancing and Writing between Resistance and Excess
Autobiography and the Coulisses: Narrator, Dancer, Spectator
Dance Images. Dance Films as an Example of the Representation and Production of Movement
Against the Beat. Music, Dance and the Image in Michelangelo Antonioni’s Blow-Up
Gesture Capture: Paradigms in Interactive Music/ Dance Systems
Tables of Weights and Measures: Architecture and the Synchronous Objects Project
Synchronous Objects, Choreographic Objects, and the Translation of Dancing Ideas
Communicating, Distilling, Catalyzing. On the Creation of Dance Congress Worlds
Situational Worlds. Complicity as a Model of Collaboration
Protocols of Encounter: On Dance Dramaturgy
Notes on Contributors
Backmatter
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