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Dance [and] Theory

References

transcript-Verlag | 2012
DOI: https://doi.org/10.14361/transcript.9783839421512.191
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Chapter Dance [and] Theory
References

Gabriele Brandstetter, Gabriele Klein 2014
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[Anon.]. "References". Dance [and] Theory, edited by Gabriele Brandstetter and Gabriele Klein, Bielefeld: transcript-Verlag, 2014, pp. 191-194. https://doi.org/10.14361/transcript.9783839421512.191
[Anon.] (2014). References. In G. Brandstetter & G. Klein (Ed.), Dance [and] Theory (pp. 191-194). Bielefeld: transcript-Verlag. https://doi.org/10.14361/transcript.9783839421512.191
[Anon.] 2014. References. In: Brandstetter, G. and Klein, G. ed. Dance [and] Theory. Bielefeld: transcript-Verlag, pp. 191-194. https://doi.org/10.14361/transcript.9783839421512.191
[Anon.]. "References" In Dance [and] Theory edited by Gabriele Brandstetter and Gabriele Klein, 191-194. Bielefeld: transcript-Verlag, 2014. https://doi.org/10.14361/transcript.9783839421512.191
[Anon.]. References. In: Brandstetter G, Klein G (ed.) Dance [and] Theory. Bielefeld: transcript-Verlag; 2014. p.191-194. https://doi.org/10.14361/transcript.9783839421512.191
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Both the identity of dance and that of theory are at risk as soon as the two intertwine. This anthology collects observations by choreographers and scholars, dancers, dramaturges and dance theorists in an effort to trace the multiple ways in which dance and theory correlate and redefine each other: What is the nature of their relationship? How can we outline a theory of dance from our particular historical perspective which will cover dance both as a practice and as an academic concept?
The contributions examine which concepts, interdependencies and discontinuities of dance and theory are relevant today and promise to engage us in the future. They address crucial topics of the current debate in dance and performance studies such as artistic research, aesthetics, politics, visuality, archives, and the »next generation«.

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Dance [and] Theory
Dance [and] Theory

Chapters in this book (46)

Frontmatter
Contents
Dance [and] Theory. Introduction
Dancing and Theorizing and Theorizing Dancing
Artistic Research: Between Experiment and Presentation
A Few Remarks about Research in Dance and Performance or – The Production of Problems
Knowledge and Collective Praxis
It does not matter or The Artist Out (of the Picture)
Artistic Research between Dance and Theory – A Response in Six Questions
References
Aesthetic Experience
The Question of the Aesthetic
The Resistance to Dance Theory. Being-With, the Aesthetic Event
Beautiful Affects in Choreography
Intertwinings: The Dis/Positions of Dance Aesthetics
Unexpected Horizons of Meaning
Parallel Universes and Aesthetic Dis/Balance: Theory Interrupted, Dance Distracted
References
Dance Theory as a Practice of Critique
Dance and Politics
Pitfalls of ‘the Political.’ Politization as an Alternative Tool for Dance Analysis?
The Politics of Time
Contemporary Dance and the Critical Ontology of Actuality
Geo-Politics, Dissensus, and Dance Citizenship: The Case of South Asian Dance in Britain
Resilient Bodies, Stirred. Political Anecdotes from the Field of Contemporary Choreography
Remarks Concerning the Ontology of Dance
References
Dis/Balances. Dance and Theory
Steps and Gaps: Curatorial Perspectives on Dance and Archives
Body, Archive
The Constructive Compromise
Dance/Archive/Exhibition? Moving between Worlds
The Archive in Motion
“Mal d’Archive” – in a Different Sense than Jacques Derrida’s
Leaving and Pursuing Traces ‘Archive’ and ‘Archiving’ in a Dance Context
References
Thoughts on the Now in the Future
A Relational Perspective on Dance and Theory – Implications for the Teaching of Dance Studies
dé-position. Or How to Move in(to) the Future?
Embryology as Choreography
Hypothesis Number Nine: The Image Is an Organ
What’s ‘next’?
In the Making. On the Generation of Movement between Dance and Theory
An Institution Is only as Good as the People who Work there Can be. No?
References
Notes on Contributors
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