Peterson, Richard A.. "The Dialectic of Hard-Core and Soft-Shell Country Music".
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars, edited by Cecelia Tichi, New York, USA: Duke University Press, 1998, pp. 234-255.
https://doi.org/10.1515/9780822397786-015Peterson, R. (1998). The Dialectic of Hard-Core and Soft-Shell Country Music. In C. Tichi (Ed.),
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars (pp. 234-255). New York, USA: Duke University Press.
https://doi.org/10.1515/9780822397786-015Peterson, R. 1998. The Dialectic of Hard-Core and Soft-Shell Country Music. In: Tichi, C. ed.
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars. New York, USA: Duke University Press, pp. 234-255.
https://doi.org/10.1515/9780822397786-015Peterson, Richard A.. "The Dialectic of Hard-Core and Soft-Shell Country Music" In
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars edited by Cecelia Tichi, 234-255. New York, USA: Duke University Press, 1998.
https://doi.org/10.1515/9780822397786-015Peterson R. The Dialectic of Hard-Core and Soft-Shell Country Music. In: Tichi C (ed.)
Reading Country Music: Steel Guitars, Opry Stars, and Honky Tonk Bars. New York, USA: Duke University Press; 1998. p.234-255.
https://doi.org/10.1515/9780822397786-015In die Zwischenablage kopiert
