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Environmental aesthetics today harbours a wide range of perspectives, and crosses several commonly recognized divides: between analytic and continental philosophy, Eastern and Western traditions, universalizing and historicizing approaches, and theoretical and practical concerns. This volume sets out to show how these perspectives can be brought into conversation with one another.
Martin Drenthen is associate professor of philosophy at Radboud University Nijmegen (The Netherlands). He is the author of Old World and New World Pespective in Environmental Philosophy. Together with Jozef Keulartz and Jim Proctor, he coedited New Visions of Nature: Complexity and Authenticity. In English and Dutch publications, he has written about the significance of Nietzsche’s critique of morality for environmental ethics, the concept of wildness in debates on ecological restoration, and ethics of place. His most recent research focuses on the relationship between landscapes, cultures of place, and moral identity.Keulartz Jozef :
Jozef Keulartz is associate professor of applied philosophy at Wageningen University and Research Centre. He has been appointed special chair for Environmental Philosophy at the Radboud University Nijmegen. He has published extensively in different areas of science and technology studies, social and political philosophy, bioethics, environmental ethics, and nature policy. His books include Die verkehrte Welt des Jürgen Habermas [The Topsy-Turvy World of Jürgen Habermas, 1995], Van bestraffing naar behandeling [From Punishment to Treatment, 1996, 4th ed], Struggle for Nature—A Critique of Radical Ecology (1998), and Werken aan de grens—een pragmatische visie op natuur en milieu [Boundary-Work: A Pragmatist View on Nature and Environment, 2005]. He is editor of Wilhelm Dilthey: Kritiek van de historische rede [Wilhelm Dilthey: Critique of Historical Reason, 1994] and coeditor of Foucault herdenken [In Memory of Foucault, 1995], Museum Aarde [Museum Earth, 1997], Pragmatist Ethics for a Technological Culture (2002), Legitimacy in European Nature Conservation Policy (2008), and New Visions of Nature (2009).
Environmental Aesthetics provides an excellent overview of the current state of the discipline, acknowledging the divides that question disciplinary identity whilst demonstrating a firm sense of maturity and future research direction.
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