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Licensed Unlicensed Requires Authentication Published by Edinburgh University Press 2017

4. The Killer is Loose (1956) and the Televisual Dissolution of Film Noir

From the book ReFocus

  • Hugh S. Manon
https://doi.org/10.1515/9781474419048-007
© 2022, Edinburgh University Press, Edinburgh
From the book
ReFocus
ReFocus

Chapters in this book (20)

Frontmatter
Contents
Notes on Contributors
Introduction
Part 1 The Non-Westerns
Part 1 Introduction
1. “I never did think he was crazy”: Mystery and Criminality in Boetticher’s Psychological Noirs
2. On Ethics and Style in Bullfighter and the Lady (1951)
3. Domestic Tension and Male Hysteria: The Killer is Loose (1956)
4. The Killer is Loose (1956) and the Televisual Dissolution of Film Noir
5. Adventures on the Small Screen: Boetticher, Warner Bros., and Maverick
6. The Signifying Heel: Boetticher’s The Rise and Fall of Legs Diamond (1960)
Part 2 The Westerns
Part 2 Introduction
7. The Ranown Cycle: Budd Boetticher’s “New Look” Western Programmers in 1950s Hollywood
8. Framings, Motifs, and Floating Poker Games in Seven Men from Now (1956)
9. The Ranown Style: Mapping Textual Echoes
10. You Were Married, But You Never Had a Wife: The Use of Space in the Westerns of Budd Boetticher
11. Ideology and Boetticher’s Westerns from the Late 1950s
12. Outlaws Without a Cause: Generational Conflict in Budd Boetticher’s Ranown Cycle
13. The Box in the Desert: Budd Boetticher, Breaking Bad, and the Twenty-first-century Western
Index
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