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Licensed Unlicensed Requires Authentication Published by Edinburgh University Press 2007

2 ‘CULTURAL IDENTITY AND DIASPORA’

From the book Transatlantic Literary Studies

  • Stuart Hall
https://doi.org/10.1515/9781474470674-024
© 2022, Edinburgh University Press, Edinburgh
From the book
Transatlantic Literary Studies
Transatlantic Literary Studies

Chapters in this book (56)

Frontmatter
CONTENTS
NOTE ON THE TEXTS
ACKNOWLEDGEMENTS
PUBLISHER’S ACKNOWLEDGEMENTS
INTRODUCTION: WHAT IS TRANSATLANTIC LITERARY STUDIES?
PART I THE NATION AND COSMOPOLITANISM
THE NATION AND COSMOPOLITANISM: INTRODUCTION
1 ‘COPYRIGHTING AMERICAN HISTORY: INTERNATIONAL COPYRIGHT AND THE PERIODIZATION OF THE NINETEENTH CENTURY’
2 ‘THE TRANSNATIONAL TURN: REDISCOVERING AMERICAN STUDIES IN A WIDER WORLD’
3 ‘NINETEENTH-CENTURY UNITED STATES LITERARY CULTURE AND TRANSNATIONALITY’
4 ‘NATIONAL NARRATIVES, POSTNATIONAL NARRATION’
5 ‘TRANSNATIONALISM AND CLASSIC AMERICAN LITERATURE’
6 ‘THE LIMITS OF COSMOPOLITANISM AND THE CASE FOR TRANSLATION’
7 ‘BETWEEN EMPIRES: FRANCES CALDERÓN DE LA BARCA’S LIFE IN MEXICO’
8 ‘PRINCIPLES OF A HISTORY OF WORLD LITERATURE’
PART II THEORIES AND PRACTICE OF COMPARATIVE LITERATURE
THEORIES AND PRACTICE OF COMPARATIVE LITERATURE: INTRODUCTION
1 ‘GENERAL, COMPARATIVE, AND NATIONAL LITERATURE’
2 ‘NOTES TOWARDS A COMPARISON BETWEEN EUROPEAN AND AMERICAN ROMANTICISM’
3 ‘ENGLISH ROMANTICISM, AMERICAN ROMANTICISM: WHAT’S THE DIFFERENCE?’
4 ‘CULTURAL TIME IN ENGLAND AND AMERICA’
5 ‘NATURE AND WALDEN’
6 ‘ON BEGINNING TO TELL A “BEST-KEPT SECRET”’
7 ‘NETWORK ANALYSIS: A REAPPRAISAL’
PART III IMPERIALISM AND THE POSTCOLONIAL
IMPERIALISM AND THE POSTCOLONIAL: INTRODUCTION
1 ‘PROSPERO AND CALIBAN’
2 ‘CULTURAL IDENTITY AND DIASPORA’
3 ‘THE BLACK ATLANTIC AS A COUNTERCULTURE OF MODERNITY’
4 ‘AMERICAN LITERARY EMERGENCE AS A POSTCOLONIAL PHENOMENON’
5 ‘EUROPEAN PEDIGREES/AFRICAN CONTAGIONS: NATIONALITY, NARRATIVE, AND COMMUNITY IN TUTUOLA, ACHEBE, AND REED’
6 ‘DEEP TIME: AMERICAN LITERATURE AND WORLD HISTORY’
PART IV TRANSLATION
TRANSLATION: INTRODUCTION
1 ‘THE TASK OF THE TRANSLATOR’
2 ‘ON LINGUISTIC ASPECTS OF TRANSLATION’
3 ‘THE HERMENEUTIC MOTION’
4 ‘THE TROPICS OF TRANSLATION’
5 ‘GENDER AND THE METAPHORICS OF TRANSLATION’
6 ‘JACK SPICER’S AFTER LORCA: TRANSLATION AS DECOMPOSITION’
7 ‘THE FRENCH CARIBBEANIZATION OF PHILLIS WHEATLEY: A POETICS OF ANTICOLONIALISM’
PART V STYLE AND GENRE
STYLE AND GENRE: INTRODUCTION
1 ‘ELOQUENCE AND TRANSLATION’
2 ‘INTRODUCTION: RHIZOME’
3 ‘TRAVELING GENRES’
4 ‘INTRODUCTION: HISTORY, MEMORY, AND PERFORMANCE’
5 ‘ROMANCE AND RATIONAL ORTHODOXY’
6 ‘THE FAILURE OF GENRE CRITICISM’
7 ‘EMPIRE AND OCCASIONAL CONFORMITY: DAVID FORDYCE’S COMPLETE BRITISH LETTER-WRITER’
8 ‘THE AMERICANIZATION OF CLARISSA’
PART VI TRAVEL
TRAVEL: INTRODUCTION
1 ‘REFLECTIONS ON EXILE’
2 ‘ETHNO-GRAPHY: SPEECH, OR THE SPACE OF THE OTHER: JEAN DE LÉRY’
3 ‘INTRODUCTION’ TO SEA CHANGES
4 ‘THE REWARDS OF TRAVEL’
5 ‘INTRODUCTION’ TO IMPERIAL EYES AND ‘HUMBOLDT AS TRANSCULTURATOR’
6 ‘TRAVEL WRITING AND ITS THEORY’
GLOSSARY OF TERMS
INDEX
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