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Cite this chapter
Schürmer, Anna. "Interferences: Posthuman Perspectives on Early Electronic Music". Disruption in the Arts: Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions, edited by Lars Koch, Tobias Nanz and Johannes Pause, Berlin, Boston: De Gruyter, 2018, pp. 189-210. https://doi.org/10.1515/9783110580082-011
Schürmer, A. (2018). Interferences: Posthuman Perspectives on Early Electronic Music. In L. Koch, T. Nanz & J. Pause (Ed.), Disruption in the Arts: Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions (pp. 189-210). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110580082-011
Schürmer, A. 2018. Interferences: Posthuman Perspectives on Early Electronic Music. In: Koch, L., Nanz, T. and Pause, J. ed. Disruption in the Arts: Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions. Berlin, Boston: De Gruyter, pp. 189-210. https://doi.org/10.1515/9783110580082-011
Schürmer, Anna. "Interferences: Posthuman Perspectives on Early Electronic Music" In Disruption in the Arts: Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions edited by Lars Koch, Tobias Nanz and Johannes Pause, 189-210. Berlin, Boston: De Gruyter, 2018. https://doi.org/10.1515/9783110580082-011
Schürmer A. Interferences: Posthuman Perspectives on Early Electronic Music. In: Koch L, Nanz T, Pause J (ed.) Disruption in the Arts: Textual, Visual, and Performative Strategies for Analyzing Societal Self-Descriptions. Berlin, Boston: De Gruyter; 2018. p.189-210. https://doi.org/10.1515/9783110580082-011
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