Köffler, Nadja. "Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction".
Artist Complex: Images of Artists in Twentieth-Century Photography, edited by Jadwiga Kamola, Berlin, Boston: De Gruyter, 2021, pp. 71-88.
https://doi.org/10.1515/9783110740165-005Köffler, N. (2021). Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction. In J. Kamola (Ed.),
Artist Complex: Images of Artists in Twentieth-Century Photography (pp. 71-88). Berlin, Boston: De Gruyter.
https://doi.org/10.1515/9783110740165-005Köffler, N. 2021. Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction. In: Kamola, J. ed.
Artist Complex: Images of Artists in Twentieth-Century Photography. Berlin, Boston: De Gruyter, pp. 71-88.
https://doi.org/10.1515/9783110740165-005Köffler, Nadja. "Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction" In
Artist Complex: Images of Artists in Twentieth-Century Photography edited by Jadwiga Kamola, 71-88. Berlin, Boston: De Gruyter, 2021.
https://doi.org/10.1515/9783110740165-005Köffler N. Destabilizing the Myth of the “Nanny Photographer”. Vivian Maier’s Self-Portraits AS A Feminist Counter-Voice to Her Public Depiction. In: Kamola J (ed.)
Artist Complex: Images of Artists in Twentieth-Century Photography. Berlin, Boston: De Gruyter; 2021. p.71-88.
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