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BY-NC-ND 4.0 license Open Access Published by transcript Verlag 2020

B THE END OF PHOTOGRAPHY

From the book Digital Image Systems

Claus Gunti
https://doi.org/10.1515/9783839439029-006
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© 2020 transcript Verlag
Download chapter (PDF)
From the book
Digital Image Systems
Digital Image Systems

Chapters in this book (26)

Frontmatter
Contents
0 Introduction
Introduction
A FRAMING THE DÜSSELDORF SCHOOL
B WHAT IS DIGITAL PHOTOGRAPHY?
1 Reception of digital photography: post-photographic theories and the German documentary discourse
Introduction
A EMERGENCE OF A GERMAN DOCUMENTARY TRADITION
B THE END OF PHOTOGRAPHY
C DISCOURSE ON DIGITAL PHOTOGRAPHY IN GERMANY
2 Archeology of computing: photo-conceptualism, the Becher protocol and early computer art
Introduction
A PRE-DIGITAL MECHANISMS IN CONTEXT: 1960S / 1970S
B SERIAL CONSTRUCTIONS AND COMBINATORIAL FUNCTIONS: A TRANS-HISTORICAL PATTERN
3 Emergence of digital tools in Düsseldorf (1987 – 1998)
Introduction
A DIGITAL RETOUCHING TOOLS
B DIGITAL STITCHING
C EARLY DIGITAL COMPOSITIONS
D THOMAS RUFF’S ANALOGUE AND DIGITAL EXPERIMENTS WITH THE PORTRAIT
4 Generalization of digital aesthetics in Düsseldorf (1999 – 2015)
Introduction
A COMPLEX COMPOSITES: ANDREAS GURSKY’S GENERIC WORLD
B IMAGE RECYCLING AND APPROPRIATIVE POSITIONS
C THOMAS RUFF’S GENERATED PHOTOGRAPHS AND THE LIMITS OF REPRESENTATION
D GENERIC PICTURE REALITIES
5 Conclusion
6 Appendix
A BIBLIOGRAPHY
B INDEX
C ACKNOWLEDGEMENTS
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