Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance

Jeroen Coppens

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Coppens, Jeroen. "Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance". Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts, edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere, Amsterdam: Amsterdam University Press, 2012, pp. 90-101. https://doi.org/10.1515/9789048513178-007

Coppens, J. (2012). Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance. In R. Vanderbeeken, C. Stalpaert, D. Depestel & B. Debackere (Ed.), Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts (pp. 90-101). Amsterdam: Amsterdam University Press. https://doi.org/10.1515/9789048513178-007

Coppens, J. 2012. Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance. In: Vanderbeeken, R., Stalpaert, C., Depestel, D. and Debackere, B. ed. Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts. Amsterdam: Amsterdam University Press, pp. 90-101. https://doi.org/10.1515/9789048513178-007

Coppens, Jeroen. "Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance" In Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts edited by Robrecht Vanderbeeken, Christel Stalpaert, David Depestel and Boris Debackere, 90-101. Amsterdam: Amsterdam University Press, 2012. https://doi.org/10.1515/9789048513178-007

Coppens J. Folding Mutants or Crumbling Hybrids?: Of Looking Baroque in Contemporary Theatre and Performance. In: Vanderbeeken R, Stalpaert C, Depestel D, Debackere B (ed.) Bastard or Playmate?: Adapting Theatre, Mutating Media and Contemporary Performing Arts. Amsterdam: Amsterdam University Press; 2012. p.90-101. https://doi.org/10.1515/9789048513178-007

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Folding Mutants or Crumbling Hybrids?

Of Looking Baroque in Contemporary Theatre and Performance

From the book Bastard or Playmate?

Chapters in this book (20)