Skip to content
Licensed Unlicensed Requires Authentication Published by De Gruyter February 20, 2008

Venus auf dem Weg zur Fotografie. Zur Spezifik der Bildlichkeit bei Leopold von Sacher-Masoch

Larissa N Polubojarinova
From the journal

Abstract

Goethe's and Lessing's analyses of antique statues of Venus illustrate the classical concept of representation in art. The Austrian writer Leopold von Sacher-Masoch (1836–1895) deconstructs this concept. In his novella ‘Venus in Furs’ (1870), in which the Medici Venus statue plays a prominent role, Masoch changes the relation of signifier and the signified: not the statue but Vanda, the beautiful beloved of the protagonist, incarnates perfect beauty and serves as an analogue of the statue. Masoch's novel reverses the common process of creating a picture: the picture is staged first, and only afterwards is it projected on the canvas. The procedure imitates the phenomenology of photography.

Published Online: 2008-02-20
Published in Print: 2007-12-01

© Walter de Gruyter

Downloaded on 28.1.2023 from https://www.degruyter.com/document/doi/10.1515/ARCA.2007.013/html
Scroll Up Arrow