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BY 4.0 license Open Access Published by De Gruyter Open Access May 13, 2019

Dancing an Open Africanity: Playing with “Tradition” and Identity in the Spreading of Sabar in Europe

  • Alice Aterianus-Owanga EMAIL logo
From the journal Open Cultural Studies

Abstract

This paper describes one of the constructions of African identity that occur through the spreading of sabar in European cities. Basing on a multi-sited fieldwork between Dakar, France and Switzerland, this paper traces the local roots and transnational routes of this Senegalese dance and music performance and presents the “transnational social field” (Levitt and Glick-Schiller) that sabar musicians and dancers have created in Europe. It analyses the representations of Africanity, Senegality and Blackness that are shared in Sabar dances classes, and describes how diasporic artists contribute to (re)invent “traditions” in migration. In this transnational dance world, “blackness” and Africanity are not homogenous and convertible categories of identification, on the contrary, they are made of many tensions and arrangements, which allow individuals to include or exclude otherness, depending on situations and contexts.

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Received: 2018-07-27
Accepted: 2018-12-09
Published Online: 2019-05-13
Published in Print: 2019-01-01

© 2019 Alice Aterianus-Owanga, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution 4.0 Public License.

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