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BY 4.0 license Open Access Published by De Gruyter Open Access January 18, 2019

When Public Art Goes Bad: Two Competing Features of Public Art

  • Mary Beth Willard EMAIL logo
From the journal Open Philosophy


Not all public art is bad art, but when public art is bad, it tends to be bad in an identifiable way. In this paper, I develop a Waltonian theory of the category of public art, according to which public art standardly is both accessible to the public and minimally site-specific. When a work lacks the standard features of the category to which it belongs, appreciators tend to perceive the work as aesthetically flawed. I then compare and contrast cases of successful and unsuccessful public art to show that accessibility and site-specificity are features which tend to preclude the other. It is difficult, although hardly impossible, for a site-specific work to remain accessible, and difficult for an accessible work to engage adequately with the site on which it is situated. As a result, while not all public art is bad, the features peculiar to public work encourage a latent tendency toward badness.


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Received: 2018-10-31
Accepted: 2018-11-09
Published Online: 2019-01-18

© by Mary Beth Willard, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution 4.0 International License.

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