Skip to content
BY 4.0 license Open Access Published by De Gruyter Open Access July 30, 2019

Object-hood’s Indecencies: Tilted Arc and the Lessons Learnt in Breakdown

Emily Dickson
From the journal Open Philosophy

Abstract

This essay looks to re-evaluate sculptor Richard Serra’s famous claim that “to remove the work is to destroy it.” Using OOO, and particularly Graham Harman’s interpretation of Martin Heidegger’s tool analysis, in order to analyze the now famous moment when Tilted Arc was de-installed from Federal Plaza, Manhattan in 1989, this paper argues that the work was not in fact destroyed but rather that its ontological autonomy was even more absolutely revealed in that moment as such. Although it is the case that art objects and sites are prone to discursive co-construction and evaluation, it is this analysis’ claim that they both are possessive of a deep, substantive form also, a form resistant to appropriation. Tilted Arc therefore revealed something even more insidious and dangerous to those who opposed it than the power of art to speak back to its surroundings. Rather, it uncovered the substantive objecthood of the site itself.

References

Harman, Graham. “The Well-Wrought Broken Hammer: Object-Oriented Literary Criticism.” New Literary History 43, no. 2 (2012): 183-203.10.1353/nlh.2012.0016Search in Google Scholar

Harman, Graham. Dante’s Broken Hammer: The Ethics, Aesthetics, and Metaphysics of Love. A Repeater Books paperback original. ed. London: Repeater Books, 2016.Search in Google Scholar

Harman, Graham. Object-Oriented Ontology: A New Theory of Everything. London: Penguin Books, 2018.Search in Google Scholar

Harman, Graham. The Third Table. Kassel: 100 Thoughts: Documenta Series 085, 2012.Search in Google Scholar

Harman, Graham. “Materialism is Not the Solution.” The Nordic Journal of Aesthetics 24, no. 47 (2016): 94-110.10.7146/nja.v24i47.23057Search in Google Scholar

Heidegger, Martin. Being and Time. Oxford: Blackwell, 1962.Search in Google Scholar

Kwon, Miwon. One Place After Another: Site-specific Art and Locational Identity. Cambridge, Mass.: MIT Press, 2002.10.7551/mitpress/5138.001.0001Search in Google Scholar

Serra, Richard. “Tilted Arc Destroyed.” In Richard Serra: Writing Interviews. London: University of Chicago Press, 1994.Search in Google Scholar

Received: 2019-04-30
Accepted: 2019-07-08
Published Online: 2019-07-30

© 2019 Emily Dickson, published by De Gruyter Open

This work is licensed under the Creative Commons Attribution 4.0 International License.

Scroll Up Arrow