"4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE".
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian, Cambridge, MA and London, England: Harvard University Press, 1994, pp. 98-147.
https://doi.org/10.4159/harvard.9780674280991.c4
(1994). 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE. In
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian (pp. 98-147). Cambridge, MA and London, England: Harvard University Press.
https://doi.org/10.4159/harvard.9780674280991.c4
1994. 4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE.
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Cambridge, MA and London, England: Harvard University Press, pp. 98-147.
https://doi.org/10.4159/harvard.9780674280991.c4
"4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE" In
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian, 98-147. Cambridge, MA and London, England: Harvard University Press, 1994.
https://doi.org/10.4159/harvard.9780674280991.c4
4. PRAISE AND DOUBLESPEAK: TACITUS‘ DIALOGUS AND JUVENAL'S SEVENTH SATIRE. In:
Actors in the Audience: Theatricality and Doublespeak from Nero to Hadrian. Cambridge, MA and London, England: Harvard University Press; 1994. p.98-147.
https://doi.org/10.4159/harvard.9780674280991.c4
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