"CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY".
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms, Cambridge, MA and London, England: Harvard University Press, 1929, pp. 37-63.
https://doi.org/10.4159/harvard.9780674289376.c2(1929). CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY. In
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms (pp. 37-63). Cambridge, MA and London, England: Harvard University Press.
https://doi.org/10.4159/harvard.9780674289376.c21929. CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY.
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms. Cambridge, MA and London, England: Harvard University Press, pp. 37-63.
https://doi.org/10.4159/harvard.9780674289376.c2"CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY" In
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms, 37-63. Cambridge, MA and London, England: Harvard University Press, 1929.
https://doi.org/10.4159/harvard.9780674289376.c2CHAPTER II. QUALIFICATIONS AND LIMITATIONS OF THE WORKING TONE SOLID – THE TRUE TONE SOLID – SATURATION AND BRIGHTNESS – TERMINOLOGY. In:
Volume I An Introduction to the Language of Drawing and Painting, Volume I: The Painter’s Terms. Cambridge, MA and London, England: Harvard University Press; 1929. p.37-63.
https://doi.org/10.4159/harvard.9780674289376.c2Copied to clipboard
