The Dance Language and Orientation of Bees

Karl von Frisch

Published by Harvard University Press 1993

The Dance Language and Orientation of Bees

Karl von Frisch
Translated by: Leigh E. Chadwick
Preface by: Thomas D. Seeley

https://doi.org/10.4159/harvard.9780674418776

Overview
Contents

About this book

Until his death in 1982, Karl von Frisch was the world's most renowned authority on bees. The Dance Language and Orientation of Bees is his masterwork--the culmination of more than fifty years of research. Now available for the first time in paperback, it describes in non-technical language what he discovered in a lifetime of study about honeybees--their methods of orientation, their sensory faculties, and their remarkable ability to communicate with one another. Thomas Seeley's new foreword traces the revolutionary effects of von Frisch's work, not just for the study of bees, but for all subsequent research in animal behavior. This new paperback edition also includes an "Appreciation" of von Frisch by the distinguished biologist Martin Lindauer, who was Frisch's protégé and later his colleague and friend.

Author / Editor information

von Frisch Karl :

Karl von Frisch was Professor of Zoology, Emeritus, as the University of Munich. He is the well-known author of many books, including The Dancing Bees and Man and the Living World and co-recipient of the 1973 Nobel Prize in Physiology or Medicine.Seeley Thomas D. :

Thomas D. Seeley is Professor of Biology, Cornell University.

Reviews

This significant and lucid volume is the dichtes Buch of Karl von Frisch. Here in full flower are his classic experiments with honeybees which revolutionized our thinking about the communication behavior of animals.

Von Frisch's The Dance Language and Orientation of Bees will surely take its place in the tiny group of genuine classics of scientific literature. It is the definitive account of the waggle dance and other forms of honeybee communication as they have been so consummately elucidated by von Frisch and his students, and it contains in addition a clear summary of the vast lore of experiments on the sensory physiology and orientation of the honeybee.

Von Frisch's clear and inspiring prose sets a standard for scientific writing which has never been bettered. You will never view the insect kingdom in the same way again.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Foreword to the Paperback Edition Thomas D. Seeley Requires Authentication Unlicensed Licensed Download PDF	xi
An Appreciation of Karl von Frisch Requires Authentication Unlicensed Licensed Download PDF	xxi
Preface Requires Authentication Unlicensed Licensed Download PDF	xxiii
Part One. The Dances of Bees
I. Historical Requires Authentication Unlicensed Licensed Download PDF	3
II. Methods in General Requires Authentication Unlicensed Licensed Download PDF	7
III. The Round Dance as a Means of Communication when Nectar Sources Are Nearby Requires Authentication Unlicensed Licensed Download PDF	28
IV. The Tail-Wagging Dance as a Means of Communication when Food Sources Are Distant
1. DESCRIPTION OF THE TAIL-WAGGING DANCE Requires Authentication Unlicensed Licensed Download PDF	57
2. THE TRANSITION FROM THE ROUND DANCE TO THE TAIL–WAGGING DANCE Requires Authentication Unlicensed Licensed Download PDF	61
3. COMPARISON OF NECTAR AND POLLEN COLLECTORS Requires Authentication Unlicensed Licensed Download PDF	62
A. THE INDICATION OF DISTANCE
4. THE TEMPO OF THE DANCE Requires Authentication Unlicensed Licensed Download PDF	64
5. THE INFLUENCE OF INTERNAL FACTORS ON THE DANCE TEMPO Requires Authentication Unlicensed Licensed Download PDF	70
6. THE INFLUENCE OF EXTERNAL FACTORS ON THE TEMPO OF DANCING Requires Authentication Unlicensed Licensed Download PDF	75
7. HOW ACCURATELY CAN NEWCOMERS FOLLOW THE DISTANCE INDICATIONS? STEPWISE EXPERIMENTS (STUFENVERSUCHE) Requires Authentication Unlicensed Licensed Download PDF	84
8. WHAT PART OF THE TAIL–WAGGING DANCE IS THE SIGNAL THAT DEFINES THE DISTANCE? Requires Authentication Unlicensed Licensed Download PDF	96
9. HOW DOES THE DANCER ESTIMATE THE DISTANCE? Requires Authentication Unlicensed Licensed Download PDF	109
10. THE SIGNIFICANCE OF THE OUTWARD AND THE HOMEWORD FLIGHT IN THE INDICATION OF DISTANCE Requires Authentication Unlicensed Licensed Download PDF	116
11. THE SHAPE OF THE CURVE FOR DISTANCE Requires Authentication Unlicensed Licensed Download PDF	121
B. THE INDICATION OF DIRECTION
12. FIRST HINTS OF THE MODE OF INDICATING THE DIRECTION OF THE GOAL Requires Authentication Unlicensed Licensed Download PDF	129
13. THE INDICATION OF DIRECTION ON A HORIZONTAL SURFACE Requires Authentication Unlicensed Licensed Download PDF	131
14. THE INDICATION OF DIRECTION ON THE SURFACE OF A VERTICAL COMB Requires Authentication Unlicensed Licensed Download PDF	137
15. DANCES ON AN OBLIQUE COMB SURFACE Requires Authentication Unlicensed Licensed Download PDF	146
16. INDIVIDUAL DIFFERENCES IN THE INDICATION OF DIRECTION, AND THE INFLUENCE OF AGE Requires Authentication Unlicensed Licensed Download PDF	149
17. COMPARISON OF THE EFFECTS OF ROUND DANCES AND TAIL–WAGGING DANCES Requires Authentication Unlicensed Licensed Download PDF	149
18. HOW PRECISELY IS THE INDICATION OF DIRECTION FOLLOWED BY THE NEWCOMERS? EXPERIMENTS IN A FAN–SHAPED PATTERN Requires Authentication Unlicensed Licensed Download PDF	156
19. DANCES WHEN THE SUN IS IN THE ZENITH Requires Authentication Unlicensed Licensed Download PDF	160
20. NO INDICATION OF DIRECTION UPWARD OR DOWNWARD Requires Authentication Unlicensed Licensed Download PDF	163
21. THE SIGNIFICANCE OF THE OUTBOUND AND HOMEBOUND FLIGHTS FOR THE INDICATION OF DIRECTION Requires Authentication Unlicensed Licensed Download PDF	169
22. DETOUR EXPERIMENTS Requires Authentication Unlicensed Licensed Download PDF	173
23. THE INDICATION OF DIRECTION IN A CROSSWIND Requires Authentication Unlicensed Licensed Download PDF	186
24. “MISDIRECTION” Requires Authentication Unlicensed Licensed Download PDF	196
25. THE ROLE OF THE SCENT ORGAN AND FLORAL ODORS WITH DISTANT SOURCES OF FOOD Requires Authentication Unlicensed Licensed Download PDF	222
26. WE LOOK FOR A FEEDING STATION FROM DIRECTIONS SUPPLIED BY THE BEES Requires Authentication Unlicensed Licensed Download PDF	227
V. Dependence of the Dances on the Profitability of Foraging Activity Requires Authentication Unlicensed Licensed Download PDF	236
VI. Guidance by Scent Requires Authentication Unlicensed Licensed Download PDF	257
VII. Application of the Dances to Other Objectives Requires Authentication Unlicensed Licensed Download PDF	265
VIII. Other Dance Forms Requires Authentication Unlicensed Licensed Download PDF	278
IX. Danceless Communication by Means of Sounds and Scents Requires Authentication Unlicensed Licensed Download PDF	285
X. Variants of the “Language of the Bees” Requires Authentication Unlicensed Licensed Download PDF	293
XI. Phylogeny and Symbolism of the “Language of the Bees” Requires Authentication Unlicensed Licensed Download PDF	321
Part Two. The Orientation of Bees on the Way to the Goal
XII. Orientation on Long–Distance Flights Requires Authentication Unlicensed Licensed Download PDF	331
XIII. Orientation When Near the Goal Requires Authentication Unlicensed Licensed Download PDF	465
Retrospect Requires Authentication Unlicensed Licensed Download PDF	524
References Requires Authentication Unlicensed Licensed Download PDF	527
Index Requires Authentication Unlicensed Licensed Download PDF	557

(Deutsch)

Language: English
Publisher: Harvard University Press
Edition: Reprint 2014
Audience: Professional and scholarly;
Pages
- Front matter: 25
- Main content: 566
Illustrations
- Other: 187 halftones, 267 line illustrations, 45 tables
Keywords: Bees.; Insects -- Behavior.; Animal orientation.; Animal communication.; SCIENCE / Life Sciences / Biology

eBook

Published: October 1, 2013
ISBN: 9780674418776

Hardcover

Published: February 5, 1993
ISBN: 9780674418769