Nature into Art

Carl Woodring

Published by Harvard University Press 1989

Nature into Art

Cultural Transformations in Nineteenth-Century Britain

Carl Woodring

https://doi.org/10.4159/harvard.9780674594036

Overview
Contents

About this book

The nineteenth century began with reverence for nature and ended with the apotheosis of art. In this wide-ranging excursion through the literature, visual arts, and natural sciences of the era from Wordsworth to Wilde, Carl Woodring traces shifting ideas and attitudes concerning nature, art, and the relations between the two.

The veneration of nature as aesthetic model and ethical norm was gradually eroded not least by the study of biology, which revealed organic nature to be wasteful and murderous. Darwin's work verified the growing perception of nature as amoral by stressing the role of chance in natural selection, a further blow to trust in natural law. Once nature was not worth imitating, art by the century's close could be an end to itself, free of responsibility to the natural.

The author examines individual works by Romantic and Victorian poets; narrative prose from James Hogg and Mary Shelley to Conrad, James, and Stevenson; painters from Wilkie through the Pre-Raphaelites to Whistler--all within such general contexts as the picturesque, the sublime, natural theology, romantic irony, romantic Hellenism, realism, photography, aestheticism, arts and crafts, art nouveau, and decadence. Although Woodring focuses on events, movements, and creative minds in England, he also draws upon a range of seminal figures from the Continent and the United States: Alexander von Humboldt, Delacroix, Thomas Cole, and Hawthorne are prominent examples. Nature into Art will fascinate scholars and amateurs of movements in literature, art, science, and cultural history in the Western world after 1780.

Topics

Frontmatter Publicly Available Download PDF	i
PREFACE Requires Authentication Unlicensed Licensed Download PDF	vii
CONTENTS Publicly Available Download PDF	xiii
ILLUSTRATIONS Requires Authentication Unlicensed Licensed Download PDF	xv
1. NATURE AND ART Requires Authentication Unlicensed Licensed Download PDF	1
2. SUBLIME PICTURESQUE BEAUTIFUL Requires Authentication Unlicensed Licensed Download PDF	29
3. IMAGINATION AND IRONY Requires Authentication Unlicensed Licensed Download PDF	57
4. THE SUPERNATURAL Requires Authentication Unlicensed Licensed Download PDF	83
5. REALISM Requires Authentication Unlicensed Licensed Download PDF	113
6. PRE-RAPHAELIES Requires Authentication Unlicensed Licensed Download PDF	143
7. DARWIN Requires Authentication Unlicensed Licensed Download PDF	173
8. DOUBLING AND DIVISION Requires Authentication Unlicensed Licensed Download PDF	205
9. AESTHETES Requires Authentication Unlicensed Licensed Download PDF	227
NOTES Requires Authentication Unlicensed Licensed Download PDF	267
INDEX Requires Authentication Unlicensed Licensed Download PDF	319

(Deutsch)

Language: English
Publisher: Harvard University Press
Edition: Reprint 2014
Audience: Professional and scholarly;
Pages
- Front matter: 16
- Main content: 326
Illustrations
- Illustrations: 16
Keywords: English literature -- 19th century -- History and criticism.; Art and literature -- Great Britain -- History -- 19th century.; HISTORY / General; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

eBook

Published: October 1, 2013
ISBN: 9780674594036

Hardcover

Published: February 5, 1989
ISBN: 9780674594029