"3. The Flight of Icarus: Mendelssohn's Lobgesang".
After Beethoven: The Imperative of Originality in the Symphony, Cambridge, MA and London, England: Harvard University Press, 1996, pp. 73-108.
https://doi.org/10.4159/harvard.9780674733398.c5
(1996). 3. The Flight of Icarus: Mendelssohn's Lobgesang. In
After Beethoven: The Imperative of Originality in the Symphony (pp. 73-108). Cambridge, MA and London, England: Harvard University Press.
https://doi.org/10.4159/harvard.9780674733398.c5
1996. 3. The Flight of Icarus: Mendelssohn's Lobgesang.
After Beethoven: The Imperative of Originality in the Symphony. Cambridge, MA and London, England: Harvard University Press, pp. 73-108.
https://doi.org/10.4159/harvard.9780674733398.c5
"3. The Flight of Icarus: Mendelssohn's Lobgesang" In
After Beethoven: The Imperative of Originality in the Symphony, 73-108. Cambridge, MA and London, England: Harvard University Press, 1996.
https://doi.org/10.4159/harvard.9780674733398.c5
3. The Flight of Icarus: Mendelssohn's Lobgesang. In:
After Beethoven: The Imperative of Originality in the Symphony. Cambridge, MA and London, England: Harvard University Press; 1996. p.73-108.
https://doi.org/10.4159/harvard.9780674733398.c5
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