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In Stereotype confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature. Mrinalini Chakravorty focuses on the seductive force and explanatory power of stereotypes in multiple South Asian contexts. She argues that such commonplaces are crucial to defining cultural identity in contemporary literature and shows how the stereotype's ambivalent nature exposes the crises of liberal development in South Asia.
Confronts the importance of cultural stereotypes in shaping the ethics and reach of global literature.
The close readings one finds in every chapter offer marvelously useful material for classroom teaching and discussions of stereotypes in a postcolonial context.
Saikat Majumdar:A provocative and insightful catalogue of features that characterize stereotypes.
What Chakravorty's book allows is a wonderful meditation on the work of the stereotype... We learn to read the novel differently after reading her book, to make demands on our sensitivities at her urging and to our profit.
An important book not only for postcolonial studies of South Asian Anglophone literature and culture, but also for modeling what an ethical reading practice is and does in the so-called age of globalization.
A lucid and provocative analysis of the significance of stereotype in contemporary South Asian literature.
A well-theorized consideration.... This reviewer knows of no comparable treatment of South Asian stereotypes.... Highly recommended.
Vilashini Cooppan, University of California, Santa Cruz, author of Worlds Within: National Narratives and Global Connections in Postcolonial Writing, :The stereotype—that fixed and frozen form of cultural unknowledge—is brought to animate life in this book. Rereading an indispensable archive of South Asian Anglophone fiction through iconic stereotypes of the postcolony and the postcolonial (hunger, crowds, slums, migrant dislocation, global metropolis, civil war's deathscape, and terror), Mrinalini Chakravorty brilliantly reveals what lies within the stereotype. Hypervisual and fetishistic, yet also spectacularly mobile, relational, and affectively charged, the stereotype emerges as a virtual and vital technology of literary globalism and a surprising education in ethical reading.
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