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Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers
Felicity Colman is reader in screen media at the Manchester School of Art, Manchester Metropolitan University, UK. She is the author of Deleuze and Cinema: The Film Concepts (2011) and the editor of Film, Theory and Philosophy: The Key Thinkers (2009).
In her concise but also unconventional account Colman challenges readers, refusing to shy away from film theory's complexity or from deliberate provocation... Refreshing... Impressive...
Richard Rushton, Lancaster University:Succint yet detailed, comprehensive, engaging and entertaining, this volume astutely charts the importance and continuing relevance of theory for film studies. It is also polemical and original insofar as it debunks a range of misconceptions relating to film theory, while also offering insights into challenging new theoretical domains.
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