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An account of what it was like to be Algerian, Jewish, and French at a time when those “identities” were fighting words.
Marcus Barnett:A Semite is an evocative work imparting to the reader that Jews and Arabs can and should, to induce the recent slogan, refuse to be enemies with each other. This wondrously written portrait of a cry is a resource of hope in our own envisaging of beautiful tomorrows.
Olivia Harrison:[A] moving family biography.
An expert translation
[Guenoun] is a extraordinarily talented and creative Algerian born author and playwright and professor of French literature. Enticing... spellbinding... There is a musical rhythm to Guenoun's writing; a jazzy beat that feels like improvisation.
Drawing on his own recollections as well as documents that offer an official chronicle and letters and journals that pour out personal desires, Guénoun explores the complications of family and identity.
Philippe Lacoue-Labarthe, philosopher, author of Heidegger and the Politics of Poetry:This 'fable,' if I can call it that, is unmistakably magnificent, the form—an inquiry—both rigorous and moving, the historical/political overview impeccably accurate. This is 'our' story, with its mistakes, its blind spots, its equivocations, its truth, with nothing omitted: families and the bonds of love, the teaching profession, an almost hallucinatory grasp of certain occasions, steadfastness, chance occurrences. Of all the things people have written about 'France,' this is the most just.
Penelope Deutscher, Northwestern University:This is a complex engagement with the unique temporal, linguistic, and embodied qualities of family and cultural heritage. It is philosophically important and politically engaging, speaking to the necessities of repetition and distortion in the accuracies of memory and historical truth. It is also a delicate prose work of exceptional literary quality, an important contribution to contemporary studies in trauma and testimony and to the field of autobiography.
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