Nicole Talmacs:
A valuable read.
Tony McKibbin:
A thoughtful and often thought-provoking book.
Mi Young Park:
With ease and clarity, Kahn effectively calls nonprofessional audiences' attention to the role of philosophy in examining our struggle with identity and its engagement with the lived experiences.
Sarah Cooper:
Kahn's work is rich, thought provoking, and will inspire much further discussion.... Finding Ourselves at the Movies will be of keen interest to scholars working in the field of film and philosophy, and constitutes a valuable addition to this area of scholarship.
[Finding Ourselves at the Movies] is rich, thought provoking, and will inspire much further discussion. [Kahn] has written a book that is both sophisticated in its philosophical argument and accessible to an intelligent, non-specialist readership.
Mark S. Weiner:
Crisply document[s] and provide[s] a provocative theoretical account of an important feature of America's distinctiveness.
Informed, thought-provoking,, and insightful.
Stanley Hauerwas, Duke Divinity School:
Writing with wisdom and philosophical insight, Kahn seeks to reclaim for philosophy the task of helping us discover who we are. Drawing on the narratives compellingly depicted in movies, he helps us reclaim our ability to act as intelligent agents. The humanity that pervades this book makes what Kahn has done significant for anyone who continues to hope that what we are and do matters.
Alan A. Stone, Harvard University:
What an astonishing book, a marriage between film and philosophy written without pretension or technical language. Fifty years ago, Pauline Kael famously 'lost it at the movies'; now Paul Kahn has found it. Film, Kahn explains, is not just about losing your innocence, it is about finding your 'self'—and that is and always has been the project of philosophy. You may not agree with Kahn's interpretation of particular films, but you will always be enlightened.
Susan Wolf, University of North Carolina at Chapel Hill:
This is a terrific book, bursting with ideas, and seamlessly blending discussions of love, war, freedom, faith—in short, of the human condition—with talk about movies. Drawing on everything from war movies to romantic comedies, from horror films to family dramas, Kahn shows us how the movies mirror the ways we communally invest our lives and our world with meaning. His readings of popular films and the shared world these films reflect are at once astute and provocative.
Samuel Moyn, Columbia University:
A brilliant venture in the lost art of bringing theoretical insight to bear on popular culture. Finding Ourselves at the Movies defends another relationship between the thinker and the public, enacting what it theorizes in illuminating commentaries on films. Kahn makes us reconsider movies as reflections of our collective imagination and public commitments.
