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While philosophy and psychoanalysis privilege language and conceptual distinctions and mistrust the image, the philosopher and psychoanalyst Julia Kristeva recognizes the power of art and the imagination to unblock important sources of meaning. She also appreciates the process through which creative acts counteract and transform feelings of violence and depression. Reviewing Kristeva's corpus, Elaine P. Miller considers the intellectual's "aesthetic idea" and "thought specular" in their capacity to reshape depressive thought on both the individual and cultural level. She revisits Kristeva's reading of Walter Benjamin with reference to melancholic art and the imagination's allegorical structure; her analysis of Byzantine iconoclasm in relation to Freud's psychoanalytic theory of negation and Hegel's dialectical negativity; her understanding of Proust as an exemplary practitioner of sublimation; her rereading of Kant and Arendt in terms of art as an intentional lingering with foreignness; and her argument that forgiveness is both a philosophical and psychoanalytic method of transcending a "stuck" existence. Focusing on specific artworks that illustrate Kristeva's ideas, from ancient Greek tragedy to early photography, contemporary installation art, and film, Miller positions creative acts as a form of "spiritual inoculation" against the violence of our society and its discouragement of thought and reflection.
Rebecca Comay, University of Toronto:Head Cases is a wonderfully engaging work—lucid, subtle, and invigorating. It will be indispensable for all readers of Kristeva and for anyone preoccupied with the concept of melancholia as a psychological, political, and aesthetic category.
Ewa Plonowska Ziarek, author of Feminist Aesthetics and the Politics of Modernism:By drawing on both the history of philosophical aesthetics and psychoanalysis, Head Cases makes an important contribution to contemporary aesthetic theory and Julia Kristeva studies. As a Kristeva scholar who is also interested in aesthetics, I am very pleased to say that this is simply the best book combining both of these fields.
Kelly Oliver, Vanderbilt University:Deftly moving through Julia Kristeva's entire body of work, Elaine P. Miller brilliantly stages engagements between Kristeva's thought and that of Adorno, Arendt, Augustine, Benjamin, Freud, Green, Hegel, Kant, Klein, Lacan, and Proust, among others. Her analysis also sheds light on some of Kristeva's most intractable concepts, including negativity, the uncanny, time, the semiotic, mimesis, art, and the aesthetic. Head Cases is filled with keen insights, rigorous scholarship, and beautiful prose.
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