Voices of Negritude in Modernist Print

Carrie Noland

Carrie Noland

Voices of Negritude in Modernist Print

Aesthetic Subjectivity, Diaspora, and the Lyric Regime

In: Modernist Latitudes

Columbia University Press | 2015

https://doi.org/10.7312/nola16704

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About this book

Approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture

Author information

Carrie Noland is professor of French and comparative literature at the University of California, Irvine. She is the author of Poetry at Stake: Lyric Aesthetics and the Challenge of Technology and Agency and Embodiment: Performing Gestures/Producing Culture. Along with coediting two collections of essays, Migrations of Gesture (with Sally Ann Ness) and Diasporic Avant-Gardes: Experimental Poetics and Cultural Displacement (with Barrett Watten), she has published numerous essays on avant-garde literature and art.

Reviews

Refreshing and rigorously researched.... In short, Noland's work is a significant contribution to Negritude scholarship.

Brent Hayes Edwards, author of The Practice of Diaspora:
With restless, relentless 'attention to the letter,' Carrie Noland demonstrates that the poetic innovations of Césaire and Damas were first of all major modernist interventions, deeply engaged with the textual sphere of experimental print culture in the interwar period. These virtuosic, revisionary readings are an exhilarating model of what it means to do Diasporic literary criticism today.

Nick Nesbitt, Princeton University:
Carrie Noland's Voices of Negritude in Modernist Print is a landmark work, inaugurating a decisive and crucial advance in our understanding of the poets of Negritude. Noland argues compellingly for a text-centered interpretive practice, one that attends to the determinations of the print medium understood as an aesthetic regime independent of the author's scribal utterance, and the struggle to construct what she terms, following Adorno, an 'aesthetic subjectivity' immanent to the text itself. This path-breaking and original work gathers together the various studies of Negritude poetry of the preceding decades to make an informed, compelling, and necessary intervention into the heart of francophone studies.

J. Michael Dash, New York University:
Carrie Noland offers a timely warning about the tendency to treat literature as a whole as an adjunct to sociopolitical reality. Voices of Negritude in Modernist Print boldly explores the tensions between formally experimental verse and the prevailing identity politics of postcolonial theory.

Frontmatter Free access PDF PDF	i
Contents Free access PDF PDF	vii
Acknowledgments Access restricted Content is available PDF PDF	ix
Introduction Access restricted Content is available PDF PDF	1
1. “Seeing with the Eyes of the Work” (Adorno): Césaire’s Cahier and Modernist Print Culture Access restricted Content is available PDF PDF	29
2. The Empirical Subject in Question: A Drama of Voices in Aimé Césaire’s Et les chiens se taisaient Access restricted Content is available PDF PDF	61
3. Poetry and the Typosphere in Léon-Gontran Damas Access restricted Content is available PDF PDF	97
4. Léon-Gontran Damas: Writing Rhythm in the Interwar Period Access restricted Content is available PDF PDF	130
5. Red Front / Black Front: Aimé Césaire and the Affaire Aragon Access restricted Content is available PDF PDF	176
6. To Inhabit a Wound: A Turn to Language in Martinique Access restricted Content is available PDF PDF	204
Conclusion Access restricted Content is available PDF PDF	231
Appendix 1. English Translation of Léon-Gontran Damas’s “Hoquet” Access restricted Content is available PDF PDF	243
Appendix 2. English Translation of Aimé Césaire’s “Calendrier lagunaire” Access restricted Content is available PDF PDF	247
Notes Access restricted Content is available PDF PDF	249
Index Access restricted Content is available PDF PDF	319

Voices of Negritude in Modernist Print

Aesthetic Subjectivity, Diaspora, and the Lyric Regime

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