Jonathan Coe:
A collection of Charles Brackett's diaries, expertly edited by Anthony Slide to paint a multifaceted portrait of Brackett's long-term collaborator Billy Wilder. This feels as close as we can get to being in the presence of Wilder's genius, and he emerges as the cruellest as well as the wittiest of men.
Mary Desjardins:
While anecdotes... sustain readers across almost four hundred pages of diary entries, their value to scholars and historians lies in the ways they exemplify the daily working life of writers in the studio system.
Christopher Silvester:
There are diamonds aplenty in Brackett's diary entries.
Henry K. Miller:
The book is packed with revealing cameos from some of the greatest names of Hollywood's greatest era, and is a valuable record of the texture of life there in those years.
Slide has culled from Brackett's voluminous diaries a treasure trove of scenes and wit from Golden Age Hollywood.... A book to be skimmed and referenced—but primarily relished.... Recommended.
Douglas Allen:
What is possibly most fascinating about the book is its insight into the operation of Hollywood in the golden years of the studio system.
Christopher Forsley:
A fascinating look into the Golden Age of Hollywood from an insider's personal, unbiased point of view.... It's the Pictures That Got Small will find a permanent spot on many a film buff's bookshelf.
This view from deep inside the studio system at its height is one of the best books ever about Hollywood, as well one of the finest on writing in years.
Neil Sinyard:
This superbly edited and annotated book is a worthy testimony to a troubled individual in an industry he unjustly denigrated but which he undoubtedly enriched.
Tom Stempel:
The diaries give us a view of Brackett, Wilder, the collaboration, and life at the studio with an immediacy that memoirs don't have.
Tom Moran:
Brackett's book is a fascinating look at Hollywood in its classic period, and a unique and indispensable must-have for any movie buff.
Sean Elder:
Brackett's diaries read like a funnier, better-paced version of Barton Fink.
David Gritten:
Fascinating passages are lightly sprinkled throughout.... The accounts of how Sunset Boulevard arrived on screen in its finished form are among the most entertaining in Brackett's diaries.
David Bordwell:
An absorbing chronicle of a tempestuous collaboration and the lifestyles of an era.... "It's the Pictures That Got Small" is a plump album packed with tiny but revealing snapshots.
Robert Fulford:
["It's the Pictures That Got Small"] reveals the conflicts that led to some of the best pictures of the last century.
Susan King:
"It's the Pictures That Got Small": Charles Brackett on Billy Wilder and Hollywood's Golden Age edited by Anthony Slide, offers not only rare insight into their often-stormy partnership but also an insider's view of Hollywood during that era.
James Hughes:
What we see in this volume is a writer much like Joe Gillis in Sunset Boulevard. At the end of a long day spent negotiating titanic egos, he simply wants to sit down and write the thoughts that race through his head like a dozen locomotives.
Leonard Maltin:
Charles Brackett has always lived in the shadow of his high-profile writing partner, Billy Wilder. This valuable compendium of diary entries from 1933 to 1950, painstakingly edited by Anthony Slide, not only sheds light on that renowned collaboration but evokes the reality of daily life in the heyday of the Hollywood studio system.
Frederic Raphael:
Brackett's 1932-49 dispatches from Hollywood's front line, are crammed with sugar-free, often salty observations. The author's honesty is certified by the fact that he can admire a man one minute and put him down the next. When that man is Billy Wilder, which it often is, the result is a day-by-day, year-on-year, pointilliste portrait of a sacred monster, warts and all.
Above all, "It's the Pictures That Got Small" is an indispensable guide to the complex, increasingly awkward relationship between two men who had next to nothing in common and yet contrived to make a fair number of the studio system's finest films.
Anyone interested in the golden age of film should enjoy this very entertaining and illustrative look at the film industry of the 1930s and 1940s.
Robert Osborne, Primetime host of Turner Classic Movies:
This is a book I was literally unable to put down once I began reading it, and I suspect everyone with a reverence for Hollywood in its glory days will feel the same. Here is a rare chance to read what was going on in Charles Brackett's mind and his world while he made so many of the movies we revere so highly today.
Don Bachardy:
Charlie was always very kind and friendly to me and I very much look forward to the publication of his diaries.
Donald M. Marshman Jr.:
Charlie would often talk about his diaries as I worked with him and Billy Wilder on the screenplay of. I am thrilled that those diaries are now published and gratified to be a part of them.
Leonard Maltin:
Reading Charles Brackett's diary entries is like stepping into a time machine. It provides a vivid and valuable account of day-to-day life in the heyday of Hollywood's studio system—and a bittersweet chronicle of his volatile relationship with Billy Wilder. I couldn't put the book down.
Walter Mirisch:
Charles Brackett was an outstanding writer and producer of his era. Like him, I have served as the president of the Academy of Motion Picture Arts and Sciences, and also like him, I had had a long association with Billy Wilder. I am therefore delighted that Charlie's diaries are being published, providing us with his unique insight into Billy and Hollywood's golden age.
