Definitions of Art

Stephen Davies

Published by Cornell University Press 1991

Definitions of Art

Stephen Davies

https://doi.org/10.7591/9781501721182

Overview
Contents

About this book

In the last thirty years, work in analytic philosophy of art has flourished, and it has given rise to considerably controversy. Stephen Davies describes and analyzes the definition of art as it has been discussed in Anglo-American philosophy during this period and, in the process, introduces his own perspective on ways in which we should reorient our thinking.Davies conceives of the debate as revealing two basic, conflicting approaches—the functional and the procedural—to the questions of whether art can be defined, and if so, how. As the author sees it, the functionalist believes that an object is a work of art only if it performs a particular function (usually, that of providing a rewarding aesthetic experience). By contrast the proceduralist believes that something is an artwork only if it has been created according to certain rules and procedures. Davies attempts to demonstrate the fruitfulness of viewing the debate in terms of this framework, and he develops new arguments against both points of view—although he is more critical of functional than of procedural definitions.Because it has generated so much of the recent literature, Davies starts his analysis with a discussion of Morris Weitz's germinal paper, "The Role of Theory in Aesthetics." He goes on to examine other important works by Arthur Danto, George Dickie, and Ben Tilghman and develops in his critiques original arguments on such matters of the artificiality of artworks and the relevance of artists' intentions.

Author information

DaviesStephen:

Stephen Davies teaches in the Department of Philosophy of the University of Auckland. He is the author of Musical Meaning and Expression, also from Cornell, Musical Works and Performances, Themes in the Philosophy of Music, and The Philosophy of Art. He is editor of Art and Its Messages and Art and Its Essence.

Topics

Frontmatter Publicly Available Download PDF	i
Contents Publicly Available Download PDF	v
Preface Publicly Available Download PDF	ix
PART I
Introduction to Part I Requires Authentication Unlicensed Licensed Download PDF	1
1. Weitz's Anti-essentialism Requires Authentication Unlicensed Licensed Download PDF	4
2. Functional and Procedural Definitions Requires Authentication Unlicensed Licensed Download PDF	23
3. Beardsley's Functionalism Requires Authentication Unlicensed Licensed Download PDF	50
4. Dickie's Institutional Theory of the Definition of Art Requires Authentication Unlicensed Licensed Download PDF	78
PART II
Introduction to Part II Requires Authentication Unlicensed Licensed Download PDF	115
5. The Artifactuality Condition Requires Authentication Unlicensed Licensed Download PDF	120
6. The Indissolubility Condition Requires Authentication Unlicensed Licensed Download PDF	142
7. Historical and Intentional Definitions Requires Authentication Unlicensed Licensed Download PDF	158
8. Artists' Intentions and the Intentional Approach Requires Authentication Unlicensed Licensed Download PDF	181
9. Functionalism, Proceduralism, and Intentions Requires Authentication Unlicensed Licensed Download PDF	207
References Requires Authentication Unlicensed Licensed Download PDF	223
Index Requires Authentication Unlicensed Licensed Download PDF	239

(Deutsch)

Language: English
Publisher: Cornell University Press
Audience: General/trade;
Pages
- Main content: 256
Keywords: Philosophy; History

eBook

Published: August 6, 2018
ISBN: 9781501721182