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Works of art and buildings inherently imply movement. Not only is the action represented in an image or the dynamic unfolding of a motif of movement in architecture implied, but also the behavior of the viewer before a work of art.The present volume devotes itself to various facets of movement in the fine arts, as well as to its emotional impact – in paintings and photographs, but it also crosses over to the genres of film and performance, which include a temporal dimension. In these interdisciplinary essays, dealing with diverse media and epochs, the phenomenon of movement is requestioned using current theoretical approaches.
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