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Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic.
Christian Utz is a professor for music theory and music analysis at the University of Music and Performing Arts Graz and an associate professor at the University of Vienna. He directed the FWF-funded research projects »A Context-Sensitive Theory of Post-tonal Sound Organization« (2012-2014) and »Performing, Experiencing and Theorizing Augmented Listening« (2017-2020).
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