Open Access Published by De Gruyter Open Access

Volume 6 Issue 1

January 2023

Issue of Open Philosophy

Contents
Journal Overview

Topical issue: Nihilism Through a Contemporary Lens: Post-Continental and Other Perspectives, edited by Halit Evrim Bayındır

Open Access February 1, 2023

Iqbal, Nietzsche, and Nihilism: Reconstruction of Sufi Cosmology and Revaluation of Sufi Values in Asrar-i-Khudî

Feyzullah Yılmaz

Article number: 20220230

More Download PDF

Abstract

While the problem of nihilism is derived from a particular historical and intellectual context in Western philosophy, i.e., the pantheism controversy in modern German philosophy and the ideas of Nietzsche, non-Western thinkers also engaged with it and developed responses to it. In this article, I am interested in analyzing Muhammad Iqbal’s (1877–1938), a leading Muslim thinker (a Sufi) from India, engagement with the problem of nihilism and his response to it from a Sufi perspective. Arguing that the existing literature on Iqbal fails to understand the deeper impact of Nietzsche’s ideas on Iqbal’s philosophy and the dramatic role “the problem of nihilism” played in causing changes in Iqbal’s philosophy, or on Iqbal’s intellectual development, in this article, I analyze how Iqbal’s encounter with the ideas of Nietzsche during his study period in Europe between 1905 and 1908 has introduced him to the problem of nihilism in its Nietzschean form, how this led Iqbal to a nihilistic mood/crisis from 1909 to 1913, and then how he later developed a response to nihilism by reconstructing the Sufi cosmology and by revaluating the Sufi values of the pantheistic/Persian type of Sufism – the outcome of which is found in his philosophical poem Asrar-i-Khudî (1915).

Open Access February 3, 2023

An Ontologically Nihilist Critique of Graham Harman’s Ontological Liberalism

Adam Lovasz

Article number: 20220231

More Download PDF

Abstract

In Graham Harman’s realist philosophy, which I call “ontological liberalism,” all objects are considered equal, there being no unbridgeable gap between various modes of being. Every object is a unique individual, endowed with a positive being. Any privileging of a certain class of objects over other classes of objects is invalidated. An object is composed of its relations, summarized under the heading of what Harman calls “sensual qualities,” while objects also contain mutually inaccessible essences. Supposedly, every object may be characterized by the duality of relationality and substantiality. According to ontological liberalism, all objects exist . In this essay, I propose an ontological nihilist critique of Harman’s liberal ontology. We cannot exclude the possibility of every object being equally nonexistent. Appearances could pertain all the way down, with no final substance at the end of the infinite chain of appearances. Building on insights gleaned from Jan Westerhoff’s defence of ontological nihilism, I propose a nihilist reconfiguration of Harman’s ontological liberalism. If objects and relations are empty and reality is made of appearances all the way down, no underlying objective essence can or should be posited. Because relations are without basis, lacking in substance, nothing exists, nothing happens, and no objects exist .

Open Access February 21, 2023

How does one Cosmotheoretically Respond to the Heat Death of the Universe?

Joel White

Article number: 20220233

More Download PDF

Abstract

This article asks what an adequate philosophical response to the certainty of heat death would be: the moment in the timeline of the universe when all possible energy transformations have been actualized and life, thought, and action cease to be possible. Through a reading of Hans Jonas’s existential work on Gnosticism, the article begins by defining what is meant by the notions cosmotheoretical and cosmoethical as well as offering a description of what Jonas calls “cosmic nihilism.” After this, the article looks at two extreme philosophical responses to heat death. The first response examined is by Friedrich Nietzsche, whose eternal return is shown to be a reactive philosophical response to the linear entropic finitude that heat death implies. The second response is by Ray Brassier. Different from Nietzsche, Brassier is shown to affirm the extinction that heat death promises. However, his insistence that heat death partakes of the transcendental and the real, but not the ideal, is demonstrated to be amphibolous. In the final part of the article, I offer what could be called a thermodynamic architectonic response to the heat death of the universe, arguing that heat death should be understood as a guiding transcendental Idea in the Kantian sense of the term.

Open Access March 3, 2023

Beyond Negative Freedom and the Working Class Subject: Another Kind of Madness

Cynthia Cruz

Article number: 20220236

More Download PDF

Abstract

Presented with the (non) choice of either assimilating into bourgeois society and, thus, annihilating themselves, or being annihilated by society, the working class subject may choose, neither, engaging, instead, in an act of negative freedom. By engaging in an act of negative freedom, the working class subject destroys all possibility of rehabilitation, thus, determining their fate. The act alone provides a means by which to mark the outer limits of what they are willing to tolerate. Through the act, the subject is altered, their world is changed. Furthermore, before engaging in the act, they do not know what will happen to them. They are, in other words, stepping into the abyss of unknowing. In this article, I will explore the concept of negative freedom in relation to the working class subject: how engaging in such an act marks their fate, separating them from bourgeois society while, also, setting them free. At the same time, due to its inherent withdrawal from civil society, negative freedom veers dangerously near nihilism, thus, reducing their act to one without meaning.

Open Access March 8, 2023

Nihilism: Schopenhauer, Nietzsche and Now

Peter Stewart-Kroeker

Article number: 20220235

More Download PDF

Abstract

In this article, I discuss how Nietzsche’s critique of nihilism concerns the complicity between Christian morality and modern atheism. I unpack in what sense Schopenhauer’s ascetic denial of the will signifies a return to nothingness, what he calls the nihil negativum . I argue that Nietzsche’s formulation of nihilism specifically targets Schopenhauer’s pessimism as the culmination of the Western metaphysical tradition, the crucial stage of its intellectual history in which the scientific pursuit of truth finally unveils the ascetic will to nothingness that motivates it. I contend that Nietzsche’s critique of Schopenhauer anticipates current scholarly debates around the significance of the nihil negativum and offers a compelling objection against contemporary proponents of philosophical nihilism such as Eugene Thacker and Ray Brassier.

Open Access March 14, 2023

G. Deleuze’s Untimely [non-]: The Inverter of Platonic Nihilism to Ethics of Creation

Konstantinos Nevrokoplis

Article number: 20220232

More Download PDF

Abstract

In F. Nietzsche’s philosophical thought, there is a profound link between European Nihilism and the task of modern philosophy to produce new Platos. The current article demonstrates how G. Deleuze uses the Nietzschean term Unzeitgemäβ – (Untimely – Unfashionable) in his attempt to overturn nihilistic Platonism. Deleuze enriches the Stoic paradox of [non-] when seeking an image of thought without image for the sake of what he calls the “untimely creative intensity,” an affirmative power in immanence. I argue that Deleuze reads the Stoic [non-] using the lens of the Nietzschean untimely to construct the technique of reversibility in his philosophical plane. Following the cartography of Deleuze’s philosophical route, I first examine two problems caused by Platonic nihilism: the destruction of the form in anonymity and the noiseless transmutation of copies into simulacra. Second, I discuss Deleuze’s two types of nihilism: (i) the cruciform structure of the Platonic and (ii) the use of the paradox of the [non-] upon the surface by Stoics. Finally, I comment on Deleuzian nihilism as the birthplace of creation.

Open Access March 17, 2023

Being Truly Wrong: Enlightened Nihilism or Unbound Naturalism?

Patrick Gamez

Article number: 20220238

More Download PDF

Abstract

I present an account of nihilism, following Foucault and Nietzsche, as a sort of colonization of our thinking by a religious form of normativity, grounded in our submission to truth as correspondence, in the idea that the facts themselves could be binding upon us. I then present Brassier’s radicalization of nihilism and showed how it remains subservient to this religious ideal of truth. I argue, further, that far than showing how a commitment to Enlightenment reason and science demands a cold metaphysics of death, in dismissing the irreducibly plural ways in which what is determines thought, Brassier’s attempt to secure a fit between thought and disenchanted world suggests that the view is an expression of the unliveable condition of nihilism, rather than its proof. Finally, I present a form of naturalism that makes legitimate claim to the legacy of Enlightenment, drawing from French historical epistemology, and dispenses with the problems animating Brassier’s nihilism by radically transforming the concept of truth and how we relate to it.

Open Access March 20, 2023

Between the Void and Emptiness: Ontological Paradox and Spectres of Nihilism in Alain Badiou’s Being and Event and Graham Priest’s One

Georgie Newson

Article number: 20220234

More Download PDF

Abstract

In this study, I reconstruct and compare Alain Badiou’s Being and Event (2005) and Graham Priest’s One (2014), arguing that the ontologies pursued within the two texts are intriguingly analogous in a number of ways. Both Badiou and Priest are committed to thinking through classically ontological problems without denying the validity of the paradoxes they raise; both regard Plato’s Parmenides as an early and formative account of these paradoxes; both establish conclusions to the effect that unity – or “oneness” – is indeed a contradictory phenomenon; and both, as a corollary of this conclusion, develop frameworks which confer ontological prominence upon the void and emptiness respectively, thereby arriving at what appears to be a shared ontological nihilism. In this comparative study, I not only enquire whether the frameworks adopted by Badiou and Priest really do lead to nihilist conclusions, but also attempt to clearly outline their trajectories of thought for the benefit of those who might be tempted to dismiss their seemingly outlandish theses out of hand.

Open Access March 27, 2023

Signifying Nothing: Nihilism, Information, and Signs

Ashley Woodward

Article number: 20220239

More Download PDF

Abstract

This article explores the theme of nihilism from the perspective of post-continental philosophy by focusing on semiotics and information theory and the question of “meaning” at stake between them. Nihilism is characterised here as an avatar of the counter-Enlightenment tradition. Post-continental philosophy is defined by a positive revaluation of reason, science, and technology, which were critiqued for their nihilistic effects by key continental philosophers. Rather than critiquing nihilism, then, post-continental philosophers have tended to affirm it. This article argues that, despite appearances, such developments in fact allow a deepened response to nihilism, considered as an existential problem. It does so by using Lyotard’s critique of semiotics to show how the kind of linguistic and cultural meaning associated with continental philosophy is itself a kind of nihilism. It then examines Meillassoux’s theory of the meaningless sign and Laruelle’s idea of the secret truth of Hermes to argue that this new paradigm of post-continental philosophy allows a response to nihilism by offering an alternative to semiotic meaning. Thus freed, this new paradigm allows the embrace of information theory as a plural articulation of meanings grounded in meaningless data, which enables a superior response to nihilism in the information age.

Open Access May 11, 2023

What End of Thought? On the True and the False Problem of Philosophy

Mark Leegsma

Article number: 20220242

More Download PDF

Abstract

The end of metaphysics problematizes philosophy, for it implies the end of thought “itself.” Though this raises the question how to think after the end of metaphysics, the question can only be asked on the condition that the “problem of philosophy” is posed, presupposing an answer to the question what the end of thought is. This article critically compares two ways of posing that problem. It argues that one, here called active nihilism, poses the problem falsely: it implies an answer to the question what the end of thought is, even as it makes that question impossible to answer, rendering the very problem unsolvable. The true problem of philosophy, the article argues, is what is here called the entanglement of thought and experience. In order to demonstrate what active nihilism and entanglement actually come down to, the article then presents two cases. One involves a detailed analysis of Meillassoux’s refutation of correlationism, showing how the problem of philosophy is rendered unsolvable in actual fact. The other case concerns what is called catastrophal thought. An effective demonstration of the end of thought, this first answers the question what the end of thought really is.

Open Access May 31, 2023

Nihilism Lost and Found: Brassier, Jonas, and Nishitani on Embracing and/or Overcoming Nihilism

Andrea Lehner, Felipe Cuervo Restrepo

Article number: 20220241

More Download PDF

Abstract

This essay confronts Ray Brassier’s vindication of nihilism with other two important but frequently underexamined philosophical attempts to overcome nihilism: Hans Jonas’ and Keiji Nishitani’s. By putting these different takes on nihilism into dialogue, it explores some blind spots in Brassier’s position, as well as some of the practical consequences, for our current planetary situation, of undertaking a radical divorce between the normative and the natural that results from his radical nihilism. The article opts for a more moderate acceptance and eventual self-overcoming of nihilism, according to which, even if natural entities are indifferent to human reasons and meanings, this does not entail that nature is bereft of a human-independent normative dimension. In other words, the essay argues that care must be taken not to confuse criticisms of an anthropocentric conception of reasons and meanings with the belief that meaning is completely absent from the natural world. Thus, the central contention of the article is that, given our current climate and ecological catastrophe, one of the most pressing tasks of contemporary philosophy is to understand normativity in non-anthropocentric ways, so that humans are no longer considered as the only entities that respond to normativity. Such an attitude conceives humans as estranged normative creatures amidst a meaningless, indifferent natural world, toward which they would have no ethical responsibilities. The essay finishes by suggesting ways in which to develop an account that does not fall into this ethical vacuum.

Open Access June 15, 2023

Supernormalising Nothing from the Hyperbolic Nihil to the Ordinary Supernothing

John Ó Maoilearca

Article number: 20220245

More Download PDF

Abstract

This essay connects the mystical concept of “supernothing” with Bergson’s notion of the image of nothingness as a movement in the making. I do this also with respect to the film The Empty Man (David Prior, 2020) – which explicitly cites Gorgias’s four-part embargo on nothing (it exists, it cannot be known, communicated, or understood): nothingness is re-rendered as movement, in particular, the transmission and reception of images in the brain. Indeed, this is precisely Bergson’s theory of the brain too – as the receiver and transmitter of images, a communication of movements. This “nihilistic” approach to the brain (it does not store images, it has no positive content) is not a valorisation of the ego as void à la Metzinger, but the real, processual rethinking of what nothingness and nihilism might mean – with a full, moving “supernothing” at its heart. Though there is a mystical and a film-philosophical account referenced in this renewal of nothingness, it will not lead to any exotic or hyperbolic excess (the brain as supernatural agent), but rather a very “ordinary” account that we will describe in terms of “supernormalisation”: an “unlearning” or mundanising of the supernatural: an extraction of the supernatural by natural means.

Topical issue: Ordinary Aesthetics, edited by Sandra Laugier and Andrew Brandel

Open Access May 26, 2023

Stanley Cavell on the “Disgusting Child”: Ordinary Aesthetics and the Mental Health Crisis in Schools

Jeff Frank

Article number: 20220243

More Download PDF

Abstract

This article explores Stanley Cavell’s ordinary aesthetics through a close reading of one passage in The Claim of Reason . This close reading leads to the suggestion that educating our aesthetic sense and responsiveness has ethical implications, especially as these relate to the mental health crisis in schools. The article draws implications for individuals in caring relationships with young people, suggesting that Cavell’s thinking on ordinary aesthetics is a powerful tool in our time.

Open Access June 9, 2023

The Poetry of Ordinary Language

Patrick Verge

Article number: 20220244

More Download PDF

Abstract

The general argument of this essay is that poetry is an everyday ambition and an everyday accomplishment. The evidence for this – a good bit of which I will amass enthusiastically in what follows – is everywhere in our language. I explore this according to three guiding intuitions: (i) people, at least some of the time, want to give their words a similar intensity or fullness and show the same skill in unleashing verbal power, as poets do – seeking words that will carry their voices; (ii) people say things give me the same aesthetic bliss and ache of gratitude that poetry gives me; and (iii) there seems to be a poetic or aesthetic dimension to all of language, without which words would not have the significance for us that they do. I end the essay by saying why the poetry in our everyday speech complicates the relation between the ordinary and (different versions of) the extraordinary as other philosophers have imagined it.

Open Access June 30, 2023

Walking Through Everyday Life: Tensions and Disruptions within the Ordinary

Nélio Conceição

Article number: 20220247

More Download PDF

Abstract

Bringing together a genealogy of authors, concepts, and aesthetic case studies, this article aims to contribute to the discussion on ordinary aesthetics by focusing on the tensions that are intrinsic to walking as a fundamental embodied action in everyday urban life. These tensions concern the movement of walking itself and its relation to one’s surroundings, but it also concerns a certain complementarity between home (familiarity) and wandering. Experiencing space and thresholds that disrupt one’s relationship with home and the everyday can be understood as part of a modern “anti-home” tendency that lies at the core of several artistic and aesthetic practices. On the other hand, the study of walking and its relationship with the ordinary has also been enhanced and complexified by the mediation of images and technologies of reproduction. Approaching the paradoxes and ambiguities of everydayness from the perspective of walking allows us to better understand the ordinary as an in-between concept composed of evidence and mystery, familiarity and strangeness. Walking itself, as an ordinary element of life, is an unstable stabilisation, an unconsciousness that may become awareness, an immersive action that knows interruptions, a way of repeating paths that can also lead to detours and discoveries.

Open Access July 12, 2023

What’s in a Bottle? Morandi’s Art and Ordinary Aesthetics

Luis Monteiro

Article number: 20220249

More Download PDF

Abstract

This article’s assumption is that ordinary aesthetics does not necessarily imply a distancing from art and artists; rather, it can benefit from the input of creators when they use everyday scenes or objects as their theme. This approach focuses on the practice of twentieth-century Italian painter Giorgio Morandi, who depicted compositions of common objects such as bottles, jars, and vases. Through Morandi’s meditative and artistic search, these objects are given value and aesthetic elevation in his paintings. Thomas Leddy’s aesthetics of everyday life will also be called upon in my analysis, insofar as the author recognizes a continuity between the ordinary and the extraordinary, through auratic experiences. If Morandi discovers the extraordinary in the trivial, this is achieved through a gradual process of selection regarding the objects he favoured, which allows for the interaction of various levels of aesthetic intensity. Morandi’s objects and models and their preparation suggest a circulation between aesthetic degrees that, in turn, suggests a timeless “language of things” fixed through the discourse of the paintings. Along these lines, it will be necessary to address the enchantment related to common things, a mesmerizing presence of which we became more aware through Morandi compositions.

Open Access July 26, 2023

The Uncanniness of the Ordinary: Aesthetic Implications of Stanley Cavell’s Rethinking of Das Unheimliche

Lorenzo Gineprini

Article number: 20220252

More Download PDF

Abstract

Through the many reinterpretations of Freud’s essay Das Unheimliche (1919) within French Postmodernism, in recent decades, the uncanny has become a vague synonym for the methodology of deconstruction. The article aims to disambiguate the uncanny by reestablishing its characterizing nucleus and relocating it within the aesthetics through the philosophy of Stanley Cavell. The American philosopher claims that this feeling can be generated by drawing attention to the ordinary, which is so close and familiar to fade out of focus. Cavell and the German Philosopher Juliane Rebentisch following him show that artistic practices can reinforce this experience, as through displacements and dislocations, they deprive objects of daily use and ordinary matters of their familiarity and force us to look more closely at their material, sensorial, and phenomenological dimensions. In this way, Cavell and Rebentisch offer a path to reconstitute a stable conceptual framework for defining the uncanny, linking it to Freud’s definition of something familiar appearing in an unfamiliar light. At the same time, they also propose a novelty by interpreting the uncanny not as inherently frightening and disturbing but as a compelling affective state that encourages a willingness to reappropriate and rediscover the ordinary.

Open Access August 14, 2023

Qalandariyat: Marginality in the Negative Aesthetics of Sufi Poetry

Zahra Rashid

Article number: 20220253

More Download PDF

Abstract

A major part of Ordinary Aesthetics has been to include the traditionally marginalized aesthetic categories excluded when studying beauty, truth, and goodness. These “negative aesthetics” are implicated in the construction, presentation, and sustenance of marginalized identities. For the purposes of my article, I will be focusing on the effort to incorporate the aforementioned in the study of aesthetics, essentially arguing for them to be inherently valuable and not for the sake of producing a “positive.” To this end and keeping up with the thrust to include other traditions within aesthetics, my article will explore certain strands of Sufi poetry, namely the tradition of Qalandariyat , which present marginalized social identities to our awareness and not for the sake of changing or improving them. I will present some samples from the Persian poetry of Hafez and Rumi, as well as Punjabi couplets of Bulleh Shah and Shah Hussain, for a hermeneutic study that grounds the aesthetics of their Qalandari -themed literature in the usage of “negative” aesthetic categories. This exercise contains the promise of expanding the horizons for our field of sensibilities, by engaging with those social identities that have remained outside them and that too on their own terms.

Open Access August 14, 2023

Ordinary Aesthetics and Ethics in the Haiku Poetry of Matsuo Bashō: A Wittgensteinian Perspective

Tomaso Pignocchi

Article number: 20220255

More Download PDF

Abstract

This article explores how the notion of ordinary aesthetics can stem, as well as the one of ordinary ethics , from that revolution of the ordinary started by Wittgenstein and further developed by philosophers like Cavell and Diamond. The idea of ordinary ethics emphasizes the importance of everyday life and the particular details of our experiences. This concept can be extended to aesthetics, forming the basis of a modality of aesthetic appreciation that recognize values and importance in the details and nuances of everyday experience. One example of such ordinary aesthetics can be found in the haiku poetry of Bashō. Bashō’s poetry often focuses on the ordinary and mundane aspects of life, such as the changing of seasons, the sound of rain, or the sight of a bird in flight, but also on that lower world made of insects, rotten foliage, and excrements. Bashō conveys in poetry the core of Zen philosophy, emphasizing the interconnectedness of all things and the value of living in the present moment. This approach to aesthetics offers an alternative to more traditional modes of aesthetic appreciation, which tend to prioritize grandeur, spectacle, and formal perfection. Ultimately, the concept of ordinary aesthetics invites us to find the intrinsic importance in the simple things that surround us and to cultivate a deeper appreciation for the richness of our everyday lives.

Open Access August 14, 2023

Experiencing Revulsion: Aesthetic Discomfort and Ordinary Life

Radu-Cristian Andreescu

Article number: 20220256

More Download PDF

Abstract

Drawing on recent theories and debates concerning the everydayness of non-artistic and even private aesthetic experiences, this article aims at differentiating new ways of dealing with revulsion at the intersection of negative and everyday aesthetics, as another manner of extending or transcending the scope of traditional art-oriented aesthetics. The paradigms that I will trace in the history of negative aesthetics are not mere occurrences of disgust or repulsiveness in art and in everyday life, but ways of addressing the repulsive in relation to the culturally variable scope of art and aesthetics. Besides the classical paradigm that associates repugnant subjects with their pleasure-inducing imitations in art, and the transgressions of modern and contemporary art that increasingly shocked their audience, revulsion can also be regarded as a form of displeasure linked to the quotidian, yet aesthetically relevant forms of life. By virtue of this ordinary nature, which is not unfamiliar to other (non-Western) cultures, revulsion could be placed at the core of everyday aesthetics, since it confirms both the transition from contemplation to action in recent aesthetics, that is, the practical preoccupation with the aesthetic quality of living, and the broader redefinition of aesthetics in terms of sensory reactions.

Open Access August 14, 2023

“The Hum of the Conversing Audience”: Ordinary Criticism and Film Culture in American Early Film Theory

Marthe Statius

Article number: 20220251

More Download PDF

Abstract

This article seeks to explore the early stages of American film theory, where cinephilia became a site of aesthetic interest and criticism thanks to the theorization of cinema as a conversational medium. Following Stanley Cavell’s analysis of a distinct form of moviegoing in America, based on the casual conversation about movies, I argue that a reinterpretation of Emerson’s ordinary aesthetics has been at the core of early film theory, especially in Vachel Lindsay’s writings. In order to illustrate the relation between the defence of a new medium and the attempt to define a quintessentially American art form, this article focuses on the concept of “conversation” that Lindsay uses to describe film spectatorship and to provide a new critical apparatus to grasp the specificity of film aesthetics.

Open Access August 16, 2023

Value, Virtue, and Vivienne Westwood: On the Philosophical Importance of Fashion

Colette Olive

Article number: 20220250

More Download PDF

Abstract

In the aforementioned quote, Vivienne Westwood sketches a role for fashion that elevates it from the prosaic to the status of art, as something important, life-enhancing, and worthy of pursuit. Here, a philosophical treatment of Westwood’s vision of fashion that does justice to the artistic and life-enhancing value that fashion can realise is offered, using an emergent theory in contemporary analytic aesthetics. The virtue theory of art delineates the intrinsic worth of art in terms of the opportunities it provides for us to exercise and cultivate virtues such as courage, self-expression, imagination, wit, or authenticity. Our engagement with art can subsequently be genuinely life-enhancing in lieu of the constitutive role the virtues play in living well. The present study takes Westwood’s claims as a jumping-off point, considering how they speak not just to her own designs but to our relationship with our clothes more broadly. Fashion is defended as a practice that performs this function in analogous ways to other genres of art and thus has clear artistic value as well as enables us to live well. Given this potential, just as Westwood claimed, there are reasons to perform the practice well because it has importance for the ways in which it can realise artistic value and aid us in living well.

Open Access August 17, 2023

Whither Rough Ground? On the “Ordinary” of Ordinary Aesthetics

Edward Guetti

Article number: 20220254

More Download PDF

Abstract

This article is a criticism of the narrative self-understanding offered by advocates of Ordinary Aesthetics. Even though the frustration with the philosophy of art (in contrast with philosophical aesthetics) is, in many ways, an overdetermined result, the sense of the ordinary as available through the withdrawal of this art-centred concern is misguided. This article argues that the reported death of art and the seemingly consistent suggestion that “anything goes” do not relieve contemporary philosophy from its being situated precisely in the wake of these practices of sense-making. I claim that Ordinary Aesthetics is dealing in an illusory conceit to the extent that defences of Ordinary Aesthetics are indebted to a demand that aesthetics may be a living field of philosophical inquiry today only if the fate of artworks is deleted from that narrative. Arguing this point requires an account of the idea of the death of art, associated with Hegel but perhaps more recently with Danto, and I sketch how Danto’s account does not cohere with the account provided in Ordinary Aesthetics. But because the claim of Ordinary Aesthetics amounts to a claim about the capacities of human sense-making independent of historical trajectories and a sense of the ordinary as that which is just available to a timeless abstraction of the human sensorium, my criticism of Ordinary Aesthetics requires a deeper defence of the relation of the faltering of narratives of art with the philosophical effort to make sense of ordinary experiences. Doing so requires that I provide alternatives: what I regard as two related though quite different philosophical approaches, namely, Cavell’s Ordinary Language Philosophy (which is startlingly absent from defences of Ordinary Aesthetics) and the program of a philosophical aesthetics elaborated in Adorno.

Open Access September 13, 2023

“Normal Is What We Make It, Right?” Ordinary Aesthetics and Uncanny Twists in Contemporary TV Series

Jeroen Gerrits

Article number: 20220257

More Download PDF

Abstract

Contemporary TV shows, characterized by their complex narrative form, are designed to reveal the simple. They enable characters and viewers alike to discover the ordinary by coupling the everyday to an underworld populated by criminals, demons, vampires, and other kinds of “lowlifes.” I will argue here that the structure of the Möbius strip, or Escher twist, draws a particular aesthetic appeal at the intersection of these worlds. I call these twists uncanny in the Cavellian sense that the underworld, looking strangely familiar, has the capacity of making the ordinary look unfamiliar, inherently strange, and unstable. Rather than allowing us to judge the demonic or illegal, they disclose what is normally inaccessible to us precisely because it is so ordinary and simple, so familiar and in plain sight. I will support this idea of Escher-twisting from one world to another by analyzing examples from Twin Peaks (ABC 1990-2, Showtime 2017), The Sopranos (HBO 1999-2007), Awake (NBC 2012), and Ozark (Netflix 2017–2022).

Topical issue: Hybrid Domesticities, edited by Gonzalo Vaillo and Jordi Vivaldi

Open Access January 30, 2023

Anti-Work Architecture: Domestic Labour, Speculative Design, and Automated Plenty

Helen Hester

Article number: 20220226

More Download PDF

Abstract

This article presents a partial history of visions of technodomesticity in the global north, concentrating on dwellings which seek to problematize, challenge, or reorganize unpaid household labour. It is structured around three case studies, primarily drawn from the United States in the 1950s and 1960s: the single-family suburban dream house, the bachelor pad, and the fully automated future home. While these chosen examples may lend us certain resources for thinking about how best to mitigate the challenges of reproductive labour via living arrangements, they also possess a number of clear drawbacks or limitations. The article will argue that contesting these imaginaries (as much as learning from them) is likely to prove necessary in unpicking the connections between an inequitable distribution of unpaid intrafamilial domestic labour and the house itself as both a concrete site and an ideological formation – necessary, that is to say, in terms of building a meaningfully feminist conception of anti-work architecture.

Open Access August 19, 2023

Transitional Domesticity: Collectivisation and Fractionalisation in Peer-to-Peer Digital Citizenry Learning from Socio-Innovations of Chinese-Asian Historical Contexts

Provides Ng

Article number: 20220246

More Download PDF

Abstract

Collectivisation, as a socio-innovation, is an incremental part of history that has much to teach on questions of asset commoning. Such notions can provide renewed perspectives in understanding today’s peer-to-peer (p2p) economy and its influence on housing ownership models, which are constituting new forms of domesticity. This study understands domesticity as processes of collectivisation and de-collectivisation, and questions its conceptualisation as universal and invariant. It compares the transitioning moments by which a new governing body is instituted within recent-historical Chinese-Asian contexts, including mainland China, Taiwan, Hong Kong, and Singapore. These moments were often postcolonial, full of changes, uncertainty, crisis, and anticipation; these contexts were unprecedented in scale, density, and cultural collision; in common, these were junctures of socio-innovation in land distribution that fashioned different forms of citizenry. By looking at these instances of innovation with situated thinking and against their historical–cultural backgrounds, the findings in this study reflect on the design of socio-technological systems, the potential consequences of our design interventions, and what “innovation” may mean given the complexity of transitional challenges. Putting together cosmopolitan and vernacular histories, the historiography presented is a collage of card game narratives, archived posters, news headlines, statistical figures, and literature. This journey through events of socio-innovation from the twentieth century till recent decades reveals how the history of governance has always been a question of cultivating collective actions, one way or another, and today’s p2p economy is simultaneously collectivising and fractionalising such socio-economic exchanges in digital citizenry.

Regular Articles

Open Access April 18, 2023

Unclearing the Air: The Pneumatological Dalliances of Jacques Derrida

Ryan McCormack

Article number: 20220237

More Download PDF

Abstract

In the 1980s, Luce Irigaray accused Western philosophy of “forgetting” about the role that the materiality of air and the act of breathing played in pre-Socratic metaphysics. This essay explores how Jacques Derrida maintained a complicated but insightful relationship to the air throughout his career through the mediating influence of pneuma , a word with long and complicated connections to the air. I highlight two relevant sites of engagement. The first was found in Of Grammatology (1968), where he connected the breathy logocentrism of “natural writing” to a concept of pneumatology (a “science of spirit” with some interesting connections to Leibniz) that served as grammatology’s Janus face. The second stemmed from Of Spirit (1991), in which Derrida emphasized the combustible, fiery face of pneuma to lambast Heidegger’s use of translation to mediate away the historical presence of the word pneuma for ideological purposes. This body of work, en toto , presents a subtle and oblique critique of Irigaray’s position. For Derrida, the air cannot function as the medium for an alternative metaphysics of presence because, historically, its space has already been infused with a pneumatic specter that cannot be ignored.

Open Access May 17, 2023

Managing the Vague: John Dewey’s Aesthetics and the Relation of Fine Art and Mathematics

Raine Ruoppa

Article number: 20220240

More Download PDF

Abstract

In philosophical discourse, vagueness is commonly regarded as an undesirable and problematic aspect of human experience. Such standpoints are not unfounded. However, in this article, I argue that vagueness may in certain instances also possess an instrumental role that supports specific modes of human aspiration, including the artistic and the mathematical. In particular, I investigate the ways in which vagueness not only hinders but also fosters the emergence of an aesthetic quality of experience during the imaginative endeavours of fine art and mathematics. The manner in which the benefit from felt vagueness ties into the formation of artistic and mathematical scenarios helps to illuminate deep and often unnoticed relations between these two domains of human ingenuity. In this article, the overall concept of experience and the particular features of human experience, such as the aesthetic and the vague, are examined in the context of John Dewey’s philosophical pragmatism. In Dewey’s philosophical framework, the human mind and culture are understood as natural phenomena. As such, the Deweyan approach fits the paradigm of a twenty-first century scientific understanding of the inherent ontological unity of all modes of human existence and activity.

Open Access July 4, 2023

Testimonial Kinds: The Source Factor

Mohammed Tayssir Safi

Article number: 20220248

More Download PDF

Abstract

In this article, I argue that the nature of testimony necessitates that we distinguish between testimonies that are based on the informant's sense perception, inference, or on a longer testimonial chain. I further argue that this distinction has epistemic significance, in that it helps us better understand how reliable certain classes of testimonies are and how reliable certain individuals are, based upon the epistemic source that their testimony is ultimately grounded in. I begin the article, in Section 1, by drawing attention to the existence of several different terms for testimony found within the Islamic philosophical tradition. In Section 2, I argue that the essential difference between these terms has to do with the epistemic source that grounds the speaker’s testimony. In Section 3, I move on to explicate how this distinction helps us better understand the reliability of testimony and how it impacts our evaluation of the reliability of different speakers in different contexts. In Section 4, I use this distinction to challenge the necessary condition of speaker competency. Finally, in Section 5, I use the distinction to undermine the belief-transmission view in the epistemology of testimony.

Open Access September 11, 2023

Jeremy Bentham on David Hume: “Having Enter’d into Metaphysics,” but “Having Lost His Way”

Yanxiang Zhang

Article number: 20220262

More Download PDF

Abstract

This article argues that Bentham’s metaphysics has until recently been unfairly belittled, and that it in fact built on and surpassed that of David Hume, of whom Bentham was both an attentive student and a fierce critic. Bentham’s logic is metaphysically based, multi-levelled, and comprehensive. First, taking Hume’s empiricism as a starting point, Bentham developed the additional mechanism of “reflection” to facilitate a utilitarian pragmatic resolution to Hume’s skepticism. Second, unlike Hume, Bentham aspired to encyclopedic knowledge, especially of the human mind, which he believed allowed him to place his thought on a more solid and broader foundation. Third, whereas Hume focused on the passive understanding, Bentham captured the interaction between understanding and volition. Fourth, in relation to moral approbation, Hume adopted an approach which highlighted benevolence, whereas Bentham sought to reconcile self-preference with benevolence. Fifth, Hume’s common sense moral philosophy pushed him to associate justice with social convention, and helped to make him a conservative. Bentham developed the principle of utility to direct and push forward social reform for a better world.

About this journal

Open Philosophy is an international Open Access, peer-reviewed academic journal covering all areas of philosophy. The objective of Open Philosophy is to foster free exchange of ideas and provide an appropriate platform for presenting, discussing and disseminating new concepts, current trends, theoretical developments and research findings related to the broadest philosophical spectrum. The journal does not favour any particular philosophical school, perspective or methodology.

Article Processing Charges

Call for proposals for topical issues

Open calls for papers:

Lukács and the Critical Legacy of Classical German Philosophy, edited by Rüdiger Dannemann (International Georg-Lukács-Society) and Gregor Schäfer (University of Basel) - deadline for submissions: October 31, 2023.
The Human Being and Time: From Kant to Existentialism, edited by Addison Ellis (The American University in Cairo) - deadline for submissions: October 31, 2023.
Dialogical Approaches to the Sphere ‘in-between’ Self and Other: The Methodological Meaning of Listening, edited by Claudia Welz and Bjarke Mørkøre Stigel Hansen (Aarhus University, Denmark) - deadline for submissions: November 15, 2023.
Theory Materialized—Art-object Theorized, edited by Ido Govrin (University of Tessaly, Greece) - deadline for submissions: January 31, 2024.
Happiness in Contemporary Continental Philosophy, edited by Ype de Boer (Radboud University) - deadline for submissions: January 31, 2024.

Published Topical Issues:

2018:

The New Metaphysics: Analytic/Continental Crossovers (ed. Jon Cogburn and Paul Livingston)
Objects Across the Traditions (ed. Tom Sparrow)

2019:

Does Public Art Have to Be Bad Art? (ed. Mark Kingwell)
Computer Modeling in Philosophy (ed. Patrick Grim)
Object-Oriented Ontology and Its Critics (ed. Graham Harman)
Experience in a New Key (ed. Dorthe Jørgensen)

2020:

Imagination and Potentiality: The Quest for the Real (ed. Graham Harman and Kristupas Sabolius)
Changing One's Mind: Philosophy, Religion and Science (ed. Yossef Schwartz, Paul Franks and Christian Wiese)
Philosophy of the City (ed. Sanna Lehtinen)
Object-Oriented Ontology and Its Critics II (ed. Graham Harman)

2021:

Philosophy and Sonic Research - Thinking with Sounds and Rhythms (ed. Martin Nitsche and Vít Pokorný)
Home and Exile - Feminist Philosophy in Thought, History and Action: A Multi-Disciplinary Approach (ed. Nicole des Bouvrie and Laura Hellsten)
Object-Oriented Ontology and Its Critics III (ed. Graham Harman)

2022:

Kant’s Transcendental Dialectic: A Re-Evaluation (ed. Michael Lewin and Rudolf Meer)
Conceptual Personae in Ontology (ed. Carlos A. Segovia)
Ethics and Politics of TV Series (ed. Sandra Laugier)
Home and Exile - Feminist Philosophy in Thought, History and Action: A Multi-Disciplinary Approach (part II) (ed. Nicole des Bouvrie and Laura Hellsten)