Founded in 1936, Rutgers University Press is a non-profit academic publishing house that is dedicated to publishing scholarly works for scholars, students, and the general reading public. The press originally published works primarily in the areas of Civil War history and European history, and now specializes in sociology, anthropology, health policy, human rights, and urban studies.
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Neo-Burlesque
Striptease as Transformation
Lynn Sally
Erotic Cartographies
Decolonization and the Queer Caribbean Imagination
Krystal Nandini Ghisyawan
The Work of Hospitals
Global Medicine in Local Cultures
William C. Olsen,
Carolyn Sargent,
Morgan K. Hoke,
Samya R. Stumo,
Thomas L. Leatherman,
Anita Hannig,
Cheryl Mattingly,
John M. Janzen,
Mark Nichter,
Ghislain Emmanuel Sopoh,
Roch Christian Johnson,
Anita Chary,
Peter Rohloff,
Adrienne E. Strong,
Vania Smith-Oka,
Kayla Hurd,
Elisa (EJ) Sobo,
Eugenia Georges,
Emma Varley,
Claire Wendland
Putting Their Hands on Race
Irish Immigrant and Southern Black Domestic Workers
Danielle T. Phillips-Cunningham
The American Girl Goes to War
Women and National Identity in U.S. Silent Film
Liz Clarke
Played Out
The Race Man in Twenty-First-Century Satire
Brandon J. Manning
Population Trends in New Jersey
James W. Hughes,
David Listokin
From Bureaucracy to Bullets
Extreme Domicide and the Right to Home
Bree Akesson,
Andrew R. Basso
Transnational Marriage and Partner Migration
Constellations of Security, Citizenship, and Rights
Anne-Marie D'Aoust,
Betty de Hart,
Saskia Bonjour,
Massilia Ourabah,
Ji-Yeon Yuh,
Helena Wray,
Grace Tran,
Kerry Abrams,
Daniel Pham,
Manuela Salcedo,
Laura Odasso,
Mieke Vandenbroucke,
Pardis Mahdavi,
Rhacel Salazar Parrenas,
Eithne Luibhéid,
Audrey Macklin
Resonant Violence
Affect, Memory, and Activism in Post-Genocide Societies
Kerry Whigham
Speaking Truths
Young Adults, Identity, and Spoken Word Activism
Valerie Chepp
See Me Naked
Black Women Defining Pleasure in the Interwar Era
Tara T. Green