Neue Open Access Inhalte in Kunst

Neue Open Access Inhalte in Kunst Alle ansehen →

Vergleich 1 – die Fallstudien Julia Büchel

chapter: III An_Klage [Figuren & Figurationen]

III An_Klage [Figuren & Figurationen] Lisa Stuckey

chapter: AKTEURE UND AKTEURINNEN DES AUSSTELLENS

AKTEURE UND AKTEURINNEN DES AUSSTELLENS Arne Lindemann

Filmography Emma Wilson

1. Blueprint for Murder David Martin-Jones

chapter: Chapter 9 Binge-Watching Audience Typologies: Conclusion

Chapter 9 Binge-Watching Audience Typologies: Conclusion Mareike Jenner, Lisa Perks, Emil Steiner, Ri Pierce-Grove, Lothar Mikos

Epilogue Nea Ehrlich

chapter: 5. An ethical cinema: High Tide and Th e Story of Kerry, Josie and Diana

5. An ethical cinema: High Tide and Th e Story of Kerry, Josie and Diana Julia Erhart

chapter: 2 ‘Hoist the Colours!’ Framing Feminism through Charismatic White Leadership in the Fantasy Blockbuster

2 ‘Hoist the Colours!’ Framing Feminism through Charismatic White Leadership in the Fantasy Blockbuster Kendra Marston

Filmography Geetha Ramanathan

chapter: 4 Candid camera, or an aesthetic of transcendence

4 Candid camera, or an aesthetic of transcendence Kate Ince

chapter: 6. Action Research as a Method for Reflective Practice in Museums

6. Action Research as a Method for Reflective Practice in Museums Annika Waern, Anders Løvlie, Christian Hviid Mortensen, Anne Rørbæk Olesen, Sejul Malde, Anders Sundnes Løvlie

chapter: Conclusion: an oeuvre of outsiders – an Australian auteur?

Conclusion: an oeuvre of outsiders – an Australian auteur? Kelly McWilliam

chapter: 3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW’S THE HURT LOCKER

3. HOLLYWOOD TRANSVESTITE: KATHRYN BIGELOW’S THE HURT LOCKER Katarzyna Paszkiewicz

chapter: 5 Die Bildthemen der Thurgauer Glasmalereien

5 Die Bildthemen der Thurgauer Glasmalereien Sarah Keller, Katrin Kaufmann, Vitrocentre Romont

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